Ryusuke Hamaguchi

Ryusuke Hamaguchi

出生 : 1978-12-16, Kanagawa, Japan

略歴

Ryusuke Hamaguchi (Japanese: 濱口 竜介, Hamaguchi Ryūsuke; born 16 December 1978; Kanagawa) is a Japanese filmmaker and screenwriter. After graduating from the University of Tokyo, Hamaguchi worked in the commercial film industry for a few years before entering the graduate program in film at Tokyo University of the Arts. His graduation film "Passion" (2008) was selected for the competition of the 2008 Tokyo Filmex. With Kō Sakai, he made a three-part documentary "The Sound of Waves" (2012) about survivors of the 2011 Tōhoku earthquake and tsunami, with "Voices from the Waves" (2013) being selected for the competition at the 2013 Yamagata International Documentary Film Festival, and "Storytellers" (2013) winning the Sky Perfect IDEHA Prize. His next film "Happy Hour" (2015) was first developed while Hamaguchi was an artist in residence at KIITO Design and Creative Center Kobe in 2013. His "Asako I & II" (2018) was selected to compete for the Palme d'Or at the 2018 Cannes Film Festival. His "Wheel of Fortune and Fantasy" (2021) was selected to compete at the 2021 Berlinale. And his "Drive My Car" (2021) was in competition at the 2021 Cannes Film Festival, won the prize for best screenplay and was selected and later nominated as the Japanese entry for the Best International Feature Film at the 94th Academy Awards; the film was also nominated for Best Picture, Best Director, and Best Adapted Screenplay. In an interview with Filmmaker Magazine, Hamaguchi said: "I was just purely a cinephile, conventionally in love with Hollywood films—Tarantino, Wong Kar-wai, things called mini theater films in Japan. But after I went to this film club in college and the cinephile culture just poured right in. I think the biggest incentive for me to becoming a director was watching Cassavetes."

プロフィール写真

Ryusuke Hamaguchi
Ryusuke Hamaguchi
Ryusuke Hamaguchi
Ryusuke Hamaguchi
Ryusuke Hamaguchi
Ryusuke Hamaguchi
Ryusuke Hamaguchi

参加作品

Walden
Director
The prolific young Japanese director, who has already won an Oscar, has made a small film that celebrates the poetry and sensitivity of a gaze, thus also connecting to many other stories of cinema.
Down the Road: The Making of Drive My Car
Self
Spanning locations in Tokyo, Hiroshima, and Hokkaido and featuring interviews with cast members and rare behind-the-scenes footage, it captures the creative collective journey of the filmmaking team.
ドライブ・マイ・カー
Screenplay
舞台俳優であり、演出家の家福悠介。彼は、脚本家の妻・音と満ち足りた日々を送っていた。しかし、妻はある秘密を残したまま突然この世からいなくなってしまう――。2年後、演劇祭で演出を任されることになった家福は、愛車のサーブで広島へと向かう。そこで出会ったのは、寡黙な専属ドライバーみさきだった。喪失感を抱えたまま生きる家福は、みさきと過ごすなか、それまで目を背けていたあることに気づかされていく…
ドライブ・マイ・カー
Director
舞台俳優であり、演出家の家福悠介。彼は、脚本家の妻・音と満ち足りた日々を送っていた。しかし、妻はある秘密を残したまま突然この世からいなくなってしまう――。2年後、演劇祭で演出を任されることになった家福は、愛車のサーブで広島へと向かう。そこで出会ったのは、寡黙な専属ドライバーみさきだった。喪失感を抱えたまま生きる家福は、みさきと過ごすなか、それまで目を背けていたあることに気づかされていく…
偶然と想像
Writer
ヘアメイクアーティストである親友のつぐみ(玄理)から好きな男がいると聞かされた、モデルの芽衣子(古川琴音)。だが、その男が元恋人の和明(中島歩)だと知る(第1話『魔法(よりもっと不確か)』)。芥川賞を受賞した大学教授・瀬川(渋川清彦)に落第させられた大学生・佐々木(甲斐翔真)は、復讐(ふくしゅう)を企てる(第2話『扉は開けたままで』)。高校時代の友人である夏子(占部房子)とあや(河井青葉)が、20年ぶりに仙台で再会。当時のことで盛り上がるが、徐々にすれ違っていく(第3話『もう一度』)。
偶然と想像
Director
ヘアメイクアーティストである親友のつぐみ(玄理)から好きな男がいると聞かされた、モデルの芽衣子(古川琴音)。だが、その男が元恋人の和明(中島歩)だと知る(第1話『魔法(よりもっと不確か)』)。芥川賞を受賞した大学教授・瀬川(渋川清彦)に落第させられた大学生・佐々木(甲斐翔真)は、復讐(ふくしゅう)を企てる(第2話『扉は開けたままで』)。高校時代の友人である夏子(占部房子)とあや(河井青葉)が、20年ぶりに仙台で再会。当時のことで盛り上がるが、徐々にすれ違っていく(第3話『もう一度』)。
スパイの妻
Writer
映画監督・黒沢清が、主演に蒼井優を迎え、高精細8K撮影に挑む話題作!戦争という時代のうねりに翻弄されながらも、自らの信念と愛を貫く女性の姿を描くラブ・サスペンス。
寝ても覚めても
Screenplay
麦(東出昌大)と朝子(唐田えりか)は恋に落ちるが、麦は彼女の前から突然居なくなってしまう。それから2年がたち、彼女は麦との思い出が残る大阪を離れて東京で暮らし始める。ある日、麦と外見はそっくりだが性格の違う亮平(東出昌大)と出会う。麦のことを忘れられないがゆえに彼を避けていたが、一方の亮平はそんな彼女に強く惹かれる。亮平と接するうちに彼に惹(ひ)かれていく朝子だったが......。
寝ても覚めても
Director
麦(東出昌大)と朝子(唐田えりか)は恋に落ちるが、麦は彼女の前から突然居なくなってしまう。それから2年がたち、彼女は麦との思い出が残る大阪を離れて東京で暮らし始める。ある日、麦と外見はそっくりだが性格の違う亮平(東出昌大)と出会う。麦のことを忘れられないがゆえに彼を避けていたが、一方の亮平はそんな彼女に強く惹かれる。亮平と接するうちに彼に惹(ひ)かれていく朝子だったが......。
天国はまだ遠い
Editor
Yuzo, a mosaic engineer for porn videos, lives under the same roof as Mitsuki, a high school student with whom he leads a peculiar life. One day, Yuzo receives a phone call from Mitsuki's sister.
天国はまだ遠い
Writer
Yuzo, a mosaic engineer for porn videos, lives under the same roof as Mitsuki, a high school student with whom he leads a peculiar life. One day, Yuzo receives a phone call from Mitsuki's sister.
天国はまだ遠い
Director
Yuzo, a mosaic engineer for porn videos, lives under the same roof as Mitsuki, a high school student with whom he leads a peculiar life. One day, Yuzo receives a phone call from Mitsuki's sister.
ハッピーアワー
Yuzawa
4人の女性たちが直面するそれぞれの人生の岐路 30代も後半を迎えた、あかり、桜子、芙美、純の4人は、なんでも話せる親友同士だと思っていた。純の秘密を知るまでは……。中学生の息子がいる桜子は、多忙な夫を支えながら家庭を守る平凡な暮らしにどこか寂しさを感じていた。編集者である夫をもつ芙美もまた、真に向き合うことのできないうわべだけ良好な夫婦関係に言い知れぬ不安を覚えていた。あかりはバツイチ独身の看護師。できの悪い後輩に手を焼きながら多忙な日々を過ごし、病院で知り合った男性からアプローチを受けるも今は恋愛をする気になれずにいる。 純の現状を思わぬかたちで知った彼女たちの動揺は、いつしか自身の人生をも大きく動かすきっかけとなっていく。つかの間の慰めに4人は有馬温泉へ旅行に出かけ楽しい時を過ごすが、純の秘めた決意を3人は知る由もなかった。やがてくる長い夜に彼女たちは問いかける。 —私は本当になりたかった私なの?
ハッピーアワー
Writer
4人の女性たちが直面するそれぞれの人生の岐路 30代も後半を迎えた、あかり、桜子、芙美、純の4人は、なんでも話せる親友同士だと思っていた。純の秘密を知るまでは……。中学生の息子がいる桜子は、多忙な夫を支えながら家庭を守る平凡な暮らしにどこか寂しさを感じていた。編集者である夫をもつ芙美もまた、真に向き合うことのできないうわべだけ良好な夫婦関係に言い知れぬ不安を覚えていた。あかりはバツイチ独身の看護師。できの悪い後輩に手を焼きながら多忙な日々を過ごし、病院で知り合った男性からアプローチを受けるも今は恋愛をする気になれずにいる。 純の現状を思わぬかたちで知った彼女たちの動揺は、いつしか自身の人生をも大きく動かすきっかけとなっていく。つかの間の慰めに4人は有馬温泉へ旅行に出かけ楽しい時を過ごすが、純の秘めた決意を3人は知る由もなかった。やがてくる長い夜に彼女たちは問いかける。 —私は本当になりたかった私なの?
ハッピーアワー
Director
4人の女性たちが直面するそれぞれの人生の岐路 30代も後半を迎えた、あかり、桜子、芙美、純の4人は、なんでも話せる親友同士だと思っていた。純の秘密を知るまでは……。中学生の息子がいる桜子は、多忙な夫を支えながら家庭を守る平凡な暮らしにどこか寂しさを感じていた。編集者である夫をもつ芙美もまた、真に向き合うことのできないうわべだけ良好な夫婦関係に言い知れぬ不安を覚えていた。あかりはバツイチ独身の看護師。できの悪い後輩に手を焼きながら多忙な日々を過ごし、病院で知り合った男性からアプローチを受けるも今は恋愛をする気になれずにいる。 純の現状を思わぬかたちで知った彼女たちの動揺は、いつしか自身の人生をも大きく動かすきっかけとなっていく。つかの間の慰めに4人は有馬温泉へ旅行に出かけ楽しい時を過ごすが、純の秘めた決意を3人は知る由もなかった。やがてくる長い夜に彼女たちは問いかける。 —私は本当になりたかった私なの?
Dance with OJ
Director
A documentary on Japanese choreographer Osamu Jareo
不気味なものの肌に触れる
Producer
After the death of his father, Chihiro goes to live with his older half-brother Togo and his girlfriend Satomi. Togo and Satomi greet him with open arms, but Chihiro feels loneliness. He attends his friend Naoya's interpretive dance practice-- and becomes more and more interested in Naoya's personal matters.
不気味なものの肌に触れる
Director
After the death of his father, Chihiro goes to live with his older half-brother Togo and his girlfriend Satomi. Togo and Satomi greet him with open arms, but Chihiro feels loneliness. He attends his friend Naoya's interpretive dance practice-- and becomes more and more interested in Naoya's personal matters.
うたうひと
Director
The third part of a trilogy focusing on the Tohoku region that is comprised of dialogues with victims of the Great East Japan Earthquake. Ideas on how to share experiences of the disaster with future generations, a challenge touched upon in the previous films The Sound of Waves and Voices from the Waves, is found in folk tales from the region. Co-directed by Sakai Ko and Hamaguchi Ryusuke.
なみのこえ 新地町
Director
A companion piece to Voices from the Waves Kesennuma that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. It captures dialogues between closely-linked people in accordance with the directors' objective of passing on experiences of the Great East Japan Earthquake, which is inspired by the folk tale tradition of the Tohoku region.
なみのこえ 気仙沼
Director
A companion piece to Voices from the Waves Shinchimachi that forms half of the second installment in a documentary trilogy on the Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Through numerous interviews, they concentrate on the experiences and emotions of people, not as victims but as individuals.
なみのおと
Director
The first part of a trilogy focusing on the northeast Tohoku region, co-directed by Sakai Ko and Hamaguchi Ryusuke. Impromptu interviews were carried out with disaster victims mainly along the Sanriku Coast, which had been ravaged by tsunamis several times prior to the Great East Japan Earthquake of 2011, and makes emotional discoveries within dialogues between close-knit people including families and workmates.
親密さ
Screenplay
Follows the acting course completion of the stage play “Shinmitsusa” for the ENBU Seminar (acting school). The first half of the 4-hour film contains the process of making the stage play, and the second half is the actual stage performance.
親密さ
Director
Follows the acting course completion of the stage play “Shinmitsusa” for the ENBU Seminar (acting school). The first half of the 4-hour film contains the process of making the stage play, and the second half is the actual stage performance.
THE DEPTHS
Writer
Korean photographer Baehwan and gay japanese hotel employee Ryu work together on a series of photographs. Their relationship crosses uneasily between friendship and love, while they also battle their own internal scars. Their salvation comes by their photographs which helps them find the meaning of their lives.
THE DEPTHS
Director
Korean photographer Baehwan and gay japanese hotel employee Ryu work together on a series of photographs. Their relationship crosses uneasily between friendship and love, while they also battle their own internal scars. Their salvation comes by their photographs which helps them find the meaning of their lives.
永遠に君を愛す
Director
While the wedding day should be blissful for the bride, Eiko, there is a secret that she can’t tell her fiance...
second coming
Assistant Director
Mari's quiet everyday life falls apart when she meets a mysterious boy. Her uncle returns after a long absence and tells her that earth is under alien control and that Mari is half human and half alien, while the strange boy confesses that he is trying to escape because he has stolen the key to liberate human beings from Mari's alien uncle. Mari, who only half believes their stories, meets her sister though she is not supposed to have one. Where is Mari heading for in her upside-down life?
PASSION
Writer
Here is a couple who have their wedding close at hand. In the middle of the celebration party where their friends get together, it is accidentally exposed that the prospective groom had an affair in the past.
PASSION
Director
Here is a couple who have their wedding close at hand. In the middle of the celebration party where their friends get together, it is accidentally exposed that the prospective groom had an affair in the past.
Solaris
Writer
Shot while the director was still in college, the film is a remake of the Russian film of the same name. The man's dead ex who had committed suicide appears in front of him. The ghost has a cross-like scar on her wrist.
Solaris
Director
Shot while the director was still in college, the film is a remake of the Russian film of the same name. The man's dead ex who had committed suicide appears in front of him. The ghost has a cross-like scar on her wrist.
記憶の香り
Director
A short film by Ryusuke Hamaguchi, about a story between a man and a strange girl.
遊撃
Director
A short film by Ryusuke Hamaguchi when he was at Tokyo University of the Arts.
Friend of the Night
Screenplay
When returning from a wedding, friends talk about their fears.
Friend of the Night
Director
When returning from a wedding, friends talk about their fears.
何食わぬ顔
The unusual, usual life and the ever wandering souls of 5 young men and women.
何食わぬ顔
Editor
A maiden work by Ryusuke Hamaguchi, and the origin to his later masterpieces “Passion” (2008), the 255 minute long “Intimacies” (2012), and the 317 minute long “Happy Hour” (2015). The unusual, usual life and the ever wandering souls of 5 young men and women, captured on 8mm film.
何食わぬ顔
Director of Photography
A maiden work by Ryusuke Hamaguchi, and the origin to his later masterpieces “Passion” (2008), the 255 minute long “Intimacies” (2012), and the 317 minute long “Happy Hour” (2015). The unusual, usual life and the ever wandering souls of 5 young men and women, captured on 8mm film.
何食わぬ顔
Writer
A maiden work by Ryusuke Hamaguchi, and the origin to his later masterpieces “Passion” (2008), the 255 minute long “Intimacies” (2012), and the 317 minute long “Happy Hour” (2015). The unusual, usual life and the ever wandering souls of 5 young men and women, captured on 8mm film.
何食わぬ顔
Director
A maiden work by Ryusuke Hamaguchi, and the origin to his later masterpieces “Passion” (2008), the 255 minute long “Intimacies” (2012), and the 317 minute long “Happy Hour” (2015). The unusual, usual life and the ever wandering souls of 5 young men and women, captured on 8mm film.
何食わぬ顔
A maiden work by Ryusuke Hamaguchi, and the origin to his later masterpieces “Passion” (2008), the 255 minute long “Intimacies” (2012), and the 317 minute long “Happy Hour” (2015). The unusual, usual life and the ever wandering souls of 5 young men and women, captured on 8mm film.
何食わぬ顔
Writer
The unusual, usual life and the ever wandering souls of 5 young men and women.
何食わぬ顔
Editor
The unusual, usual life and the ever wandering souls of 5 young men and women.
何食わぬ顔
Director
The unusual, usual life and the ever wandering souls of 5 young men and women.
映画を見に行く
Screenplay
映画を見に行く
Director
Our Apprenticeship
Director
Once an idol, a Japanese girl studies abroad at a theatre school in Paris, where she gains new values and energy for her future through meeting people from different backgrounds.