Zaven Najjar

November 1980. Southern Iran. We are at the beginning of the Iran-Iraq war. Abadan, the capital of the Iranian petrol industry resists the repeated assaults of the Iraqi army, but is soon under full siege. Omid, a 14-year-old boy, has stayed back in the city, with his grandfather, waiting for his elder brother to come back from the frontline. Along with Omid, we discover several other uncommon characters, each one having stayed for a personal reason. Each one resisting in his own way. But as the Iraqi siege of the city hardens, Omid has to quickly find a way to save those he loves.

How can the masses be controlled? Apparently, the American publicist Edward L. Bernays (1891-1995), a pioneer in the field of propaganda and public relations, knew the answer to such a key question. The amazing story of the master of manipulation and the creation of the engineering of consent; a frightening true story about advertising, lies and charlatans.

A short film animation by Zaven Najjar about the movie "Jaws".

そこは人間界から遠く離れた“サンタ”たちの世界。クリスマスまであと４日、サンタクロースとお手伝いのエルフたちは、人間の子供たちへのプレゼントの準備に大忙しだ。しかし、プレゼントを作っていた大勢のエルフたちが、一斉に倒れてしまったからさあ大変！エルフを治すのに必要なビタミンCを手に入れるため、寝ている子供たちにしか会ったことがない、大人嫌いのサンタクロースは渋々人間界に向かうのだが…！

Beirut 1982. In order to see his fiancée on the other side of the city, Gabriel has to cross a heavily guarded bridge. He chooses the night of the opening game of the World Cup to try his luck. Will the snipers be watching the game and allow the Gabriel and his friend Mokhtar to cross the bridge in their old Plymouth?

Beirut 1982. In order to see his fiancée on the other side of the city, Gabriel has to cross a heavily guarded bridge. He chooses the night of the opening game of the World Cup to try his luck. Will the snipers be watching the game and allow the Gabriel and his friend Mokhtar to cross the bridge in their old Plymouth?

For seventeen year old Avaz, family is like a sentence. His mom is the subject, his father the verb, and he is the complement. He shows us his family's life through this prism until his father leaves for the hospital.

For seventeen year old Avaz, family is like a sentence. His mom is the subject, his father the verb, and he is the complement. He shows us his family's life through this prism until his father leaves for the hospital.

When ten-year-old Birahima’s mother dies, he leaves his native village in Guinea, accompanied by the sorcerer and cook Yacouba, to search for his aunt Mahan. Crossing the border into Liberia, they are seized by rebels and forced into military service. Birahima becomes a child-soldier. Fighting in a chaotic civil war alongside many other boys, Birahima sees death, torture, dismemberment and madness but somehow manages to retain his own sanity.

When ten-year-old Birahima’s mother dies, he leaves his native village in Guinea, accompanied by the sorcerer and cook Yacouba, to search for his aunt Mahan. Crossing the border into Liberia, they are seized by rebels and forced into military service. Birahima becomes a child-soldier. Fighting in a chaotic civil war alongside many other boys, Birahima sees death, torture, dismemberment and madness but somehow manages to retain his own sanity.