Nick Hector

Widespread sexual abuse within the Catholic Church has traumatized thousands. Many have only recently come forward to speak publicly, while others have been silenced through settlements. One of the perpetrators, Father Hod Marshall, pled guilty to 17 assault charges; a colleague, Father David Katulski, called him a "very good pedophile." One of his victims, seeking closure for this traumatic part of his childhood, filed suit against the Basilian Fathers of Toronto for its role in enabling Marshall's depravity. As the case moves through the courts—led by "the priest hunter," lawyer Rob Talach—the silence the Catholic Church fought so vigorously to maintain is broken. Director Matt Gallagher opens a channel for those brave survivors who are willing to provide testimony, culminating in a powerful damnation of an institution that must be exposed and held to account.

Widespread sexual abuse within the Catholic Church has traumatized thousands. Many have only recently come forward to speak publicly, while others have been silenced through settlements. One of the perpetrators, Father Hod Marshall, pled guilty to 17 assault charges; a colleague, Father David Katulski, called him a "very good pedophile." One of his victims, seeking closure for this traumatic part of his childhood, filed suit against the Basilian Fathers of Toronto for its role in enabling Marshall's depravity. As the case moves through the courts—led by "the priest hunter," lawyer Rob Talach—the silence the Catholic Church fought so vigorously to maintain is broken. Director Matt Gallagher opens a channel for those brave survivors who are willing to provide testimony, culminating in a powerful damnation of an institution that must be exposed and held to account.

Based on Naomi Klein's book This Changes Everything: Capitalism vs. the Climate, a look at how people in various communities around the world play a role in the ongoing climate change debate and how they're affecting change in trying to prevent the environmental destruction of our planet.

At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, a tiny cheerful man, is her close friend. Rachel is lonesome, missing her son, complaining he rarely visits. Ida relies on memory for her solace. Helen has no memory and doesn't recognize her daughter; her moods swing. Murray keeps his cap on and likes women. Staff members bring medication, provide care, and offer small talk. Memory is fleeting: Claire re-experiences the death of a close companion several times, each time without remembering her previous grieving. Lives are circumscribed

In an attempt to understand why he suspects his girlfriend is cheating on him, filmmaker John Haslett Cuff interviews his mother and a number of other women who have a wide range of experiences with adultery about their affairs and their relationship with their spouses.

A third of Estonia's people are Russian, most of them put there by Stalin. For Estonians it is like having a dragon's egg laid in your nest: you wait in fear for it to hatch. The Russians in Klooga, an abandoned Soviet Army base, are struggling to build a community with their new Estonian neighbours. Estonians would rather not give Russians citizenship, residence or jobs: they wish they would go home. But for Russians, Klooga is home. A group of American scholars exploring ethnic reconciliation and democratic practice, led by Nobel Peace Prize nominee, Vamik Volkan, has $50,000 to offer any group of Estonians and Russians who can work together for a common goal. Twenty Russians and Estonians in Klooga form a committee and seize the challenge to build a better life for their children.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.