Nick Hector

참여 작품

Prey
Editor
Widespread sexual abuse within the Catholic Church has traumatized thousands. Many have only recently come forward to speak publicly, while others have been silenced through settlements. One of the perpetrators, Father Hod Marshall, pled guilty to 17 assault charges; a colleague, Father David Katulski, called him a "very good pedophile." One of his victims, seeking closure for this traumatic part of his childhood, filed suit against the Basilian Fathers of Toronto for its role in enabling Marshall's depravity. As the case moves through the courts—led by "the priest hunter," lawyer Rob Talach—the silence the Catholic Church fought so vigorously to maintain is broken. Director Matt Gallagher opens a channel for those brave survivors who are willing to provide testimony, culminating in a powerful damnation of an institution that must be exposed and held to account.
Prey
Co-Producer
Widespread sexual abuse within the Catholic Church has traumatized thousands. Many have only recently come forward to speak publicly, while others have been silenced through settlements. One of the perpetrators, Father Hod Marshall, pled guilty to 17 assault charges; a colleague, Father David Katulski, called him a "very good pedophile." One of his victims, seeking closure for this traumatic part of his childhood, filed suit against the Basilian Fathers of Toronto for its role in enabling Marshall's depravity. As the case moves through the courts—led by "the priest hunter," lawyer Rob Talach—the silence the Catholic Church fought so vigorously to maintain is broken. Director Matt Gallagher opens a channel for those brave survivors who are willing to provide testimony, culminating in a powerful damnation of an institution that must be exposed and held to account.
이것이 모든 것을 바꾼다
Editor
이 영화는 기후변화 최전선에 있는 7개의 커뮤니티에 대한 강렬한 초상화이다. 개별적인 이야기를 하나로 엮어주는 것은 탄소배출과 경제시스템의 관계를 보여주는 나오미 클라인의 내레이션이다. 이 영화에서 클라인은 그녀의 가장 논쟁적이면서도 흥미로운 아이디어를 제시한다. 기후변화의 존재론적 위기를 이용해 실패한 경제시스템을 훨씬 더 나은 시스템으로 바꿀 수 있다는 것이다. [제13회 서울환경영화제]
Memory for Max, Claire, Ida and Company
Editor
At Baycrest, an old-age home in Toronto, we follow a social worker as she talks to residents, particularly Max, Claire, Ida, and Rachel. The film opens on Claire's birthday, she's 89; Max, a tiny cheerful man, is her close friend. Rachel is lonesome, missing her son, complaining he rarely visits. Ida relies on memory for her solace. Helen has no memory and doesn't recognize her daughter; her moods swing. Murray keeps his cap on and likes women. Staff members bring medication, provide care, and offer small talk. Memory is fleeting: Claire re-experiences the death of a close companion several times, each time without remembering her previous grieving. Lives are circumscribed
Crimes Of The Heart
Editor
In an attempt to understand why he suspects his girlfriend is cheating on him, filmmaker John Haslett Cuff interviews his mother and a number of other women who have a wide range of experiences with adultery about their affairs and their relationship with their spouses.
The Dragon's Egg
Editor
A third of Estonia's people are Russian, most of them put there by Stalin. For Estonians it is like having a dragon's egg laid in your nest: you wait in fear for it to hatch. The Russians in Klooga, an abandoned Soviet Army base, are struggling to build a community with their new Estonian neighbours. Estonians would rather not give Russians citizenship, residence or jobs: they wish they would go home. But for Russians, Klooga is home. A group of American scholars exploring ethnic reconciliation and democratic practice, led by Nobel Peace Prize nominee, Vamik Volkan, has $50,000 to offer any group of Estonians and Russians who can work together for a common goal. Twenty Russians and Estonians in Klooga form a committee and seize the challenge to build a better life for their children.
The Perfect Story
Story Editor
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.
The Perfect Story
Editor
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.
The Perfect Story
Co-Producer
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.