Sorayos Prapapan

After a year of wearing shrine suit to commit the vow she had promised to the spirit, now "the actress" must go back to Mysterious Hill to perform a ritual to take the suit off with the help of non-believer "film director" who wants to prove spirit doesn't exist.

Arnold is a clever student who has won many academic awards. One day, he meets Bee who has an underground business of helping students to cheat their exams. Bee asks Arnold to join his cheating ring and offers him a lot of money. While Arnold is considering working with Bee, at his school, many students are not happy with the school’s disrespect of their freedom and they organize a big protest.

Arnold is a clever student who has won many academic awards. One day, he meets Bee who has an underground business of helping students to cheat their exams. Bee asks Arnold to join his cheating ring and offers him a lot of money. While Arnold is considering working with Bee, at his school, many students are not happy with the school’s disrespect of their freedom and they organize a big protest.

Arnold is a clever student who has won many academic awards. One day, he meets Bee who has an underground business of helping students to cheat their exams. Bee asks Arnold to join his cheating ring and offers him a lot of money. While Arnold is considering working with Bee, at his school, many students are not happy with the school’s disrespect of their freedom and they organize a big protest.

Squish! is a meditation on the self through lurid and liquid forms; filtered through both old and foreseeable technology informed by Thai animation history and contemporary culture, and a constant process of constructing and deforming new selves to simulate ‘movements’. By extrapolating and redefining the terms of ‘movement’, be it through psychological, physical or political understandings, the work interweaves the medium of animation with a state of depression.

Based on a true story, "Pid pokati mai" is a reflection on human life during the Covid-19 pandemic and, also, under the Emergency Decree. "Pid pokati mai" follows many characters from different scenarios who share the same awkward situation.

Based on a true story, "Pid pokati mai" is a reflection on human life during the Covid-19 pandemic and, also, under the Emergency Decree. "Pid pokati mai" follows many characters from different scenarios who share the same awkward situation.

Based on a true story, "Pid pokati mai" is a reflection on human life during the Covid-19 pandemic and, also, under the Emergency Decree. "Pid pokati mai" follows many characters from different scenarios who share the same awkward situation.

Based on a true story, "Pid pokati mai" is a reflection on human life during the Covid-19 pandemic and, also, under the Emergency Decree. "Pid pokati mai" follows many characters from different scenarios who share the same awkward situation.

The film follows the conventions of Thai cinema during the Cold War, where every actor is dubbed by the voice that suits their roles. The hero sounds heroic and the villain sounds villainous. Ang, a transgender sex worker with a pretty, feminine voice is assigned a special mission as an undercover spy. She disguises herself as a cisgender man to enter into a romantic relationship with Jit, a belligerent yet idealistic student activist with an evil voice. Ang must extract important information from Jit. However, the mission goes awry as she slowly falls for him. Apolitical at first, Ang is slowly awakened by Jit to see the other world where people speak in another way.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

One of my dreams is to organize my own funeral.

In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.

Dusit Zoo closed to the public in 2018. The iconic, popular spot started life as Thai King Rama V's private garden. The filmmaker records the last day it's open in his own idiosyncratic way. This is not without setbacks. Simultaneously political and humorous.

Dusit Zoo closed to the public in 2018. The iconic, popular spot started life as Thai King Rama V's private garden. The filmmaker records the last day it's open in his own idiosyncratic way. This is not without setbacks. Simultaneously political and humorous.

Dusit Zoo closed to the public in 2018. The iconic, popular spot started life as Thai King Rama V's private garden. The filmmaker records the last day it's open in his own idiosyncratic way. This is not without setbacks. Simultaneously political and humorous.

Dusit Zoo closed to the public in 2018. The iconic, popular spot started life as Thai King Rama V's private garden. The filmmaker records the last day it's open in his own idiosyncratic way. This is not without setbacks. Simultaneously political and humorous.

Dusit Zoo closed to the public in 2018. The iconic, popular spot started life as Thai King Rama V's private garden. The filmmaker records the last day it's open in his own idiosyncratic way. This is not without setbacks. Simultaneously political and humorous.

Dusit Zoo closed to the public in 2018. The iconic, popular spot started life as Thai King Rama V's private garden. The filmmaker records the last day it's open in his own idiosyncratic way. This is not without setbacks. Simultaneously political and humorous.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

A filmmaker’s life isn’t an easy one. Write a screenplay, develop a project, wrap it all in a shiny package, pitch it to producers. And in the meantime try to survive and not forget how to actually shoot a film.

Near a coastal village of Thailand, by the sea where thousands of Rohingya refugees have drowned, a local fisherman finds an injured man lying unconscious in the forest. He rescues the stranger, who doesn’t speak a word, offers him his friendship and names him Thongchai. But when the fisherman suddenly disappears at sea, Thongchai slowly begins to take over his friend’s life - his house, his job and his ex-wife.

A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.

Nicky has just graduated with a degree in the arts. He asks his friend Koi to be the model for a photoshoot, where she has to wear a costume that won’t show her face. Later, while having dinner together, they talk about their relationship, jobs and among others about the beginning of #MeToo.

Nicky has just graduated with a degree in the arts. He asks his friend Koi to be the model for a photoshoot, where she has to wear a costume that won’t show her face. Later, while having dinner together, they talk about their relationship, jobs and among others about the beginning of #MeToo.

Nicky has just graduated with a degree in the arts. He asks his friend Koi to be the model for a photoshoot, where she has to wear a costume that won’t show her face. Later, while having dinner together, they talk about their relationship, jobs and among others about the beginning of #MeToo.

Nicky has just graduated with a degree in the arts. He asks his friend Koi to be the model for a photoshoot, where she has to wear a costume that won’t show her face. Later, while having dinner together, they talk about their relationship, jobs and among others about the beginning of #MeToo.

The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?

The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?

The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?

The voice of the people is often neglected, as is sound in film, which the audience doesn’t care about. Two sound recordists are working on the final mix of a short film. Will their sound be heard by someone?

Thai education is full of propaganda: we are taught that we are a democratic country but when we protest by standing still, we are arrested. They teach us morality but when pretend not to know that there is human trafficking right in front of them. The film content is drawn from the Ordinary National Educational Test (O-NET) for Thai secondary school students.

Two fat Thai schoolboys don’t want to serve in the military when they turn 21. They'd prefer to take the territorial defence course instead. But if they want to get in, they will have to pass a physical test. This proves to be quite difficult, so the big boys discuss alternative options over a meal.

Two fat Thai schoolboys don’t want to serve in the military when they turn 21. They'd prefer to take the territorial defence course instead. But if they want to get in, they will have to pass a physical test. This proves to be quite difficult, so the big boys discuss alternative options over a meal.

Two fat Thai schoolboys don’t want to serve in the military when they turn 21. They'd prefer to take the territorial defence course instead. But if they want to get in, they will have to pass a physical test. This proves to be quite difficult, so the big boys discuss alternative options over a meal.

The Scala opened its doors in 1970. It had one thousand seats and every night, they were filled. In those days, going to the movies was something special. The cinema was a place where people got dressed up, went on dates, and fell in love. But today, everything has changed. There is a multiplex in every mall and the young generation watch movies on their phone. But at The Scala, time has stood still. The cinema is still run by many of the same staff who have been there from the beginning. It is now the last remaining standalone cinema left in Bangkok. And soon, its time will come to an end too.

Director Sorayos Prapapan is invited to present his penultimate short film at the Winterthur Festival. He runs into an Afghan director friend, who has become a political refugee in Switzerland. Over subtle still shots of the Swiss landscape, his voice resonates and transports us between humor and the reality of political facts in an exciting and rich cinematic experience.

Director Sorayos Prapapan is invited to present his penultimate short film at the Winterthur Festival. He runs into an Afghan director friend, who has become a political refugee in Switzerland. Over subtle still shots of the Swiss landscape, his voice resonates and transports us between humor and the reality of political facts in an exciting and rich cinematic experience.

When a rare earth plant is being built near a coastal town, its inhabitants fall into despair, fearful of its radioactive effects.

When a rare earth plant is being built near a coastal town, its inhabitants fall into despair, fearful of its radioactive effects.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai's daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai's daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.

Auntie Maam is a foot masseuse. She is also a freelance actress in Thai independent films. One day, one of the films she played is chosen by a film festival in Europe. The film director asks her to join the trip to the festival Auntie Maam has never had a passport. She consults Kaen, her nephew how to get one. This film is a satire black comedy with social issue. The background is the Thai political movement against the government in the early of 2014

Boonrerm is a housemaid. Everyday she receives a weird order.

Boonrerm is a housemaid. Everyday she receives a weird order.

The film follows four high school boys driven by very different reasons, end up praying before the Luang Poo at the spirit house near their school, promising to give the idol a Thai dance if their wishes come true. The boys enlist Nut a professional dancer to teach them some moves.

Hyper-realistic minidrama. An afternoon in the life of fish processing plant labourer Wawa Kai, one of the many migrants from Myanmar working in factories in Thailand. The film follows her every move, revealing what looks like a routine day, but in fact it's a scary one for her, as she reports a crime.

A young location scout meets the art director of her project in a day they will keep in their memories for a while, each for their own reasons.

A young location scout meets the art director of her project in a day they will keep in their memories for a while, each for their own reasons.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.