Takashi Matsuyama

出生 : 1908-09-22, Kobe, Hyōgo Prefecture, Japan

死亡 : 1977-07-14

参加作品

父子草
Art Direction
Drama about the friendship between a lonely laborer (Atsumi) and a young woman (Hoshi) unable to enter college.
大菩薩峠
Art Direction
物語始めの舞台は、甲州と江戸。御嶽山奉納の剣術試合で、宇津木文之丞との勝負をゆずらなかった机竜之助は、文之丞の妻だったお浜と夫婦になる。大菩薩峠で、机竜之助に斬られた老人の孫のお松は、七兵衛の世話で厄介になった生け花の師匠のところから、神尾主膳の屋敷へ奉公にあがる。竜之助が組する江戸の浪士組(新徴組の前身)では、近藤勇と芹沢鴨が頭角を顕す。舞台の後半は、清河八郎の暗殺以後、新徴組が新撰組へ、江戸から京都へ移っていく。大菩薩峠と御嶽山奉納試合からの因縁、近藤勇や芹沢鴨の新徴組に身を置いた流れに、文久3年、机竜之助の音無しの剣術は、その在り方が求められていく。
夜明けのうた
Art Direction
Musical actress Noriko feels frustrated by the futility of her affair with a married man. Then she is offered a role in a new production that appears to mirror her own private life... An excellent work that stylishly depicts its gradually evolving heroine.
城取り
Art Direction
The Sengoku Era was coming to an end. The monopoly of the ever powerful shogun, Ieyasu Tokugawa, was at a near. Only one man was brave enough to stand in Ieyasu's way - A lone wolf samurai by the name of Kagekatsu Uesugi. Inspired by Uesugi's courage to revolt, a young samurai warrior, Touzou Kuruma decides to join the fight. Their target: the Tamonyama Castle.
五瓣の椿
Art Direction
A young woman begins murdering all those responsible for her ailing father's condition. Because the girl is so outwardly sweet and innocent, the detective looking into the deaths does not suspect her.
しろばんば
Art Direction
銀座の恋の物語
Art Direction
Hanjiro is a struggling painter that shares a tiny apartment in the back streets of Ginza with his jazz pianist friend who works at a bar. When he and his sweet heart, Hisako decide to get married, Hanjiro is faced with a tough decision. Needing to buy a ticket back home to tell his mother the good news, he compromises his creative principles for love and sells his portrait of Hisako. Hisako heads to the station to see him off, but gets hit by a car...
さようならの季節
Art Direction
A touching story of a girl who sails away from her love to keep her family together.
あした晴れるか
Production Design
Kohei Misugi works in a vegetable market, but his ambition is to be a photographer. He is given his first opportunity to demonstrate his talent by the Sakura Film Company which offers him an assignment to "Cover Tokyo" with a camera. But he is disillusioned when he is told he must work together with Miharu, a good looking girl in the film company's publicity department. Then the fun begins.
夜の流れ
Art Direction
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself "already dead."
地図のない町
Art Direction
A young doctor falls into a despair of developments. He plans to revenge the disgrace inflicted upon his sister, whose engagement was broken as a result.
密会
Art Direction
After witnessing a murder, a married woman and a student agree not to meet and see each other out of fear of exposing their affair.
祈るひと
Production Design
紅の翼
Art Direction
At about the same time as lwami, president of a Tokyo company is murdered by an unknown assailant, it happens that an urgent call has been received from an airline company's office on remote Hachijo Island for a special serum. A Cessna aircraft which has been chartered by a man named Ohashi takes off for the island with the serum piloted by Ishida. But when airborne, Ohashi, who is the murderer of lwami, holds up Ishida at gunpoint and orders him to land on a small island west of Hachijo where a ship is waiting to take him to Hong Kong...
絶唱
Art Direction
真夜中の顔
Art Direction
Japanese suspense film.
駅前旅館
Art Direction
A longtime hotel employee (Morishige) struggles to bring his old-fashioned ryokan in line with postwar Japanese business practices.
錆びたナイフ
Art Direction
Udaka is a new, post-war city where corruption has already taken hold. A persistent district attorney wants to arrest and convict Katsumata, a laughing, self-confident thug. The D.A. gets an anonymous letter about the suicide five years' before of a city council member. Evidence about the case leads the D.A. to Tachibana, struggling to go straight after involvement with the mob and a prison sentence for killing the man responsible for the rape and suicide of his fiancée. One of Tachibana's friends is Keiko, the daughter of the dead councilman and the ward of another powerful official. How do these stories connect?
佳人
Production Design
美徳のよろめき
Art Direction
A woman who grew up in a prestigious household, begins to have an affair outside the marriage.
誘惑
Art Direction
Shokichi, the owner of the clothing store, lives with his daughter Hideko and plans to open an art gallery. One day, Hideko led a handsome art student, Shohei and a poor painter, Sohei. Sohei’s painting was praised by a great printer at the completion ceremony of the art gallery. Since he became successful as a painter, but he looked quite indifferent. Around the same time, Shohei’s sister brought Sohei’s pictures to the gallery and Shokichi noticed that she was a daughter of his first love.
白夜の妖女
Art Direction
Nominated for Golden Berlin Bear.
殺したのは誰だ
Art Direction
Harsh film about a car dealer who gets into financial trouble.
勝利者
Art Direction
Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date. (source: Nikkatsu International)
お転婆三人姉妹 踊る太陽
Art Direction
It’s been five years since her husband had passed away. Fuyuko lives in the quiet suburbs, in a small but loving home with her three beautiful daughters. Haruko, the eldest, is the lead vocalist in a band. Natsuko is the conscientious type, who spends her days in ballet classes beautifying herself. The youngest of the three, Akiko is a bookworm who found her niche in philosophy. Although the sisters may appear to have nothing in common, there is one thing they all agree on; "Mom needs a new husband".
最後の戦斗機
Art Direction
The first postwar war movie depicting the tragedy of a special force that shook the world at the end of the Pacific War, with thrill and speed
夏の嵐
Art Direction
A woman falls in love with her sister's fiancé.
狙われた男
Art Direction
In the backstreets of Ginza, the boss of a hairdressing salon is found dead, killed by strangulation. The detective on the case soon hears rumors about the murder.
狂った果実
Art Direction
太陽族の滝島夏久はまだ純真な弟・春次の初恋の女性・恵梨を奪う。やがて心の中にあった兄弟への愛情の均衡も破れ、恵梨は夏久の強靭な肉体に強く惹かれていった。恵梨と夏久の全ての出来事を知った春次は、憑かれたようにモーターボートでヨットの二人を追った…。
太陽の季節
Art Direction
The film tells the story of a group of high school boxing team members who spend their days drinking, sailing and chasing girls, and who more often than not spend their nights getting into brawls. In particular, it focuses upon Tatsuya, a sullen young man, who falls in love with Eiko, a proud upper-class girl.
ビルマの竪琴
Art Direction
ビルマにいた日本軍は、国境を越えてタイへ敗走しようとしていた。水島上等兵は現地の斥候に変装し、井上隊長が率いる小隊を国境近くまで移動させていた。しかし国境近くで日本の敗戦を知った彼らは、武器を捨て、南のムドンへ送られることとなる。水島だけは米軍の要請により、いまだに抵抗し続ける日本軍の説得に向かうため、隊を離れた。水島が行方知れずとなったある日、井上小隊は水島によく似たビルマの僧侶とすれ違う。
青銅の基督
Art Direction
Christ in Bronze is a 1955 black-and-white Japanese film directed by Minoru Shibuya. It was entered into the 1956 Cannes Film Festival.
明治一代女
Art Direction
The tragedy of the geiko girl Ume and the men who try to pursue her.
七人の侍
Art Direction
麦の刈入れが終わる頃。とある農村では野武士たちの襲来を前に恐怖におののいていた。百姓だけで闘っても勝ち目はないが、麦を盗られれば飢え死にしてしまう。百姓たちは野盗から村を守るため侍を雇うことを決断する。やがて、百姓たちは食べるのもままならない浪人たち7人を見つけ出し、彼らとともに野武士に対抗すべく立ち上がる……。
大阪の宿
Art Direction
An Inn at Osaka, rarely seen outside Japan, follows the story of an insurance company executive from Tokyo, Mr. Mito, who is demoted to the Osaka office. He takes a room at a small inn and tries to rebuild his life. Notable for its exquisite framing and cinematography, An Inn at Osaka allows its complicated plotlines to disappear behind the minutiae of penury and humiliation that Mito and others suffer during the post-war economic and social reconstruction.
広場の孤独
Production Design
Based on the novel by Yoshie Hotta
夫婦
Art Direction
A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.
モンテンルパの夜は更けて
Art Direction
霧笛
Production Design
A Japanese woman, the mistress of an American, falls in love with her servant.
荒木又右衛門 決闘鍵屋の辻
Production Design
The famous showdown at Kagiya corner has been told many times, but never before with the realism and intensity of this version scripted by Kurosawa Akira and starring Mifune Toshiro as the famed swordsman who must face his best friend as they are forced to take opposite sides in a vendetta caused by the murder of a family member. Told mostly in flashback as the avengers await the arrival of their quarry, this film displays true heroism in the face of fear as most of the combatants, while of the samurai class are not skilled swordsmen. They contrast sharply with the true warriors involved in this battle. Araki Mataemon (Mifune), who was not only a direct student of Yagyu Munenori, but the founder of his own sword style under the Yagyu name is a powerful force ready to assist his brother-in-law against the murderer's allies that include not only another noted sword teacher, but the deadly spear of Katsumi no Hanbei.
武蔵野夫人
Production Design
Set in post-war Japan, The Lady of Musashino tells the story of Michiko, a disillusioned young woman trapped in a loveless marriage. She confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.
Aoi shinju
Production Design
Though recognized worldwide almost exclusively for his colorful kaiju fare, director Ishirō Honda (Godzilla, Rodan, Mothra) was a natural humanist with a particular understanding of the relationship between people and their social environs. His debut fiction feature, The Blue Pearl (Aoi Shinju) – virtually unseen in the west until now – depicts the melodramatic, but keenly-observed interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life. Nonetheless, Honda provides equal weight to their desires and their ambitions to break free from the social mold imposed upon them from birth.
白痴
Art Direction
Kameda, who has been in an asylum on Okinawa, travels to Hokkaido. There he becomes involved with two women, Taeko and Ayako. Taeko comes to love Kameda, but is loved in turn by Akama. When Akama realizes that he will never have Taeko, his thoughts turn to murder, and great tragedy ensues.
Aika
Production Design
Wataru Naohiko who has the prosecutor general as his father became a young composer and its symphony "saint" invoked the world echoed. But his disciple Uchiyama and his best friend prosecutor Daisuke Toki accused his music as a sesame of pause-only technique, not a truly heart-hungry art.
薔薇合戦
Art Direction
A Japanese melodrama about three sisters, rival fashion companies, and attempted murder by overheated bathroom.
羅生門
Production Design
平安時代、羅生門の下で雨宿りをする下男(上田吉二郎)相手に、旅法師(千秋実)と杣売り(志村喬)が奇妙な話を語り始める。京の都で悪名高き盗賊多襄丸(三船敏郎)が山中で侍夫婦の妻(京マチ子)を襲い、夫(森雅之)を殺害したという。だが、検非違使による調査が始まると、盗賊と妻の証言はまったく異なっており……。
暁の脱走
Production Design
Mikami, a Japanese soldier, is captured by Chinese forces. Although able to escape, he is treated with contempt by his peers. After falling in love with a prostitute named Harumi, she convinces him to desert the army and live with her. Directed by Senkichi Taniguchi with a screenplay by Taniguchi and Akira Kurosawa and assistant direction by Ishiro Honda. Kurosawa's final credit as a screenwriter was removed from initial release due to various rewrites.
野良犬
Production Design
A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
續 青い山脈
Art Direction
Continuation of The Blue Mountains: Part I. Released a week later.
青い山脈
Art Direction
Teacher Yukiko finds herself in opposition to conservative faculty and villagers after defending a student for being in a relationship with a young man from Tokyo.
青い山脈
Production Design
Teacher Yukiko finds herself in opposition to conservative faculty and villagers after defending a student for being in a relationship with a young man from Tokyo.
酔いどれ天使
Set Decoration
Doctor Sanada treats gangster Matsunaga after he is wounded in a gunfight, and discovers that he is suffering from tuberculosis. Sanada tries to convince Matsunaga to stay for treatment, which would drastically change his lifestyle. They form an uneasy friendship until Matsunaga's old boss Okada returns from prison.
酔いどれ天使
Production Design
Doctor Sanada treats gangster Matsunaga after he is wounded in a gunfight, and discovers that he is suffering from tuberculosis. Sanada tries to convince Matsunaga to stay for treatment, which would drastically change his lifestyle. They form an uneasy friendship until Matsunaga's old boss Okada returns from prison.
新馬鹿時代
Production Design
今ひとたびの
Art Direction
A romance with political overtones about the relationship of a sheltered bourgeois woman and a doctor who devotes himself to caring for the poor. Over a ten-year period - from 1936 through the war - they find each other and are separated again by the events of those tumultuous days.
日常の戦ひ
Art Direction
望楼の決死隊
Art Direction
Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."
川中島合戰
Art Direction
This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.
馬
Production Design
Ine Onoda, the eldest daughter of a poor family of farmers, raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.
支那の夜
Art Direction
Wartime propaganda filmed by the Japanese in occupied China, Shirley Yamaguchi portrays an orphan rescued from the streets by a kindly Japanese merchant marine officer. Part spy thriller and part Shanghai travelogue, it was part of a popular series known as "Chinese Continental Friendship" made by the occupying Japanese in China.
はたらく一家
Set Decoration
The Whole Family Works, Mikio Naruse's adaptation of a Sunao Tokunaga novel, feels more of a piece with the writer/director's quietly observant and psychologically charged later work. For the Naruse-familiar, it is an anomaly only in its placement within his filmography—indeed, this could be a film made by the elder, stasis-minded Naruse momentarily inhabiting, through a metaphysical twist of fate, his stylistically exuberant younger self. Set in depression-era Japan around the time of the Sino-Japanese War (which the director evokes, during a brief dream sequence, by dissolving between children's war games and actual adult warfare), The Whole Family Works gently observes a family coming apart at the seams. Ishimura (Musei Tokugawa) is the jobless father of nine children.
五人の斥候兵
Production Design
An early example of the Japanese war film, closer to documentary realism than the kind of propaganda produced at the height of the Pacific War. "A company commander calls on five men. They are to reconnoiter, but on their way they are attacked. Only four of them return. While his companions mourn the fifth straggles back. Soon after comes the order to move out for a general attack. The men know that this time there will be no returning." (Donald Richie)