大阪の宿 (1954)
ジャンル : ドラマ
上映時間 : 2時間 2分
演出 : Heinosuke Gosho
脚本 : Heinosuke Gosho, Toshio Yasumi
シノプシス
An Inn at Osaka, rarely seen outside Japan, follows the story of an insurance company executive from Tokyo, Mr. Mito, who is demoted to the Osaka office. He takes a room at a small inn and tries to rebuild his life. Notable for its exquisite framing and cinematography, An Inn at Osaka allows its complicated plotlines to disappear behind the minutiae of penury and humiliation that Mito and others suffer during the post-war economic and social reconstruction.
翌年に大阪万博開催を控え、人類が初めて月に降り立った1969年の夏、小学生のケンヂは、同級生の仲間たちと空き地の原っぱに秘密基地を作った。そんな彼らの秘密の遊びの一つである“よげんの書”には、悪の組織、世界征服、人類滅亡計画、それを阻止する正義の味方など空想の数々が描かれ、彼らをワクワクさせるのだった。
Michiyo lives in the small place Osaka and is not happy with her marriage, all she does is cook and clean for her husband.
ニューヨーク市警殺人課の刑事ニック・コンクリン（ダグラス）は妻と離婚し、その子供の養育費を稼ぐのに日々苦労していた。そして、彼はある事件の麻薬密売品の押収品（金）を横領した嫌疑をかけられ、内務捜査官たちから査問を受けていた。そんなある昼下がり、ニックと、同僚のチャーリー・ビンセント（ガルシア）は、レストランに居た日本のヤクザの幹部と子分を、もう一人のヤクザが刺殺する現場に出くわす。追跡の末に男を逮捕するものの、日本国内での犯罪で指名手配されていたため、その男-佐藤（松田）を日本に護送することになった。
ゴジラシリーズ第2作。岩戸島に遭難した飛行士によって、ゴジラとアンキロサウルス、通称アンギラスの闘いが目撃された。対策本部はゴジラを監視下に置き、本土上陸を阻止しようとする。しかし、脱走した囚人が起こしたコンビナートの火災が、ゴジラを大阪に誘導してしまう。そしてゴジラを追って、アンギラスも姿を現わした。世紀の闘争の末、アンギラスは倒れゴジラは海へ去ったが、大阪の街は廃虚と化す……。
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
国家予算が正しく使われているかを調べる会計検査院の調査官3人が、東京から大阪にやってきた。大阪府庁など、実地調査を順調に進めていく彼ら。しかし容赦ない調査でチームリーダー・松平は、財団法人OJO（大阪城址整備機構）に奇妙な違和感を覚える。質問をぶつけても、のらりくらりと説明をかわす職員に、不信感は増すばかり。さらに調査を進める内、松平は400年もの間、大阪が守ってきた“秘密”を知ってしまう…。
A former American G.I. joins a yakuza family after his release from prison in post-World War II Osaka.
北京に暮らす若い女性ココは、日本の洗練された都会的なクリスマスにあこがれて大阪にやってくる。しかし、たどりついたのは、想像していたメトロポリタンな日本とは遠くかけはなれた、雑多な繁華街の大阪・新世界。言葉の通じない異国の地で、ココはてんやわんやの騒動に巻き込まれていく。
Like a girl runaway, Tsuyu moves to Osaka to work as a bar hostess. She meets the owner of a model school, Yoko, and seriously thinks about becoming a fashion model. Yoko tells her that she can move in to Yoko’s house to take lessons, while making a living at the same time.
Kota (Satoshi Tsumabuki) hears about an impending 1.5 billion yen gold bar heist from his friend Kitagawa (Tadanobu Asano), a former college classmate, and decides to take part. The gold bar sits in the basement of the HQ of Sumita Bank. Helping Kota and Kitagawa are bank security employee Noda (Kenta Kiritani), a North Korean spy pretending to be a college student (Shim Chang-Min), Kitagawa's younger brother Haruki (Junpei Mizobata) and a former elevator engineer (Toshiyuki Nishida). These 6 men are about to carry the boldest of schemes to bypass the bank's high-tech defense system.
In Osaka's slum, youths without futures engage in pilfering, assault and robbery, prostitution, and the buying and selling of identity cards and of blood. Alliances constantly shift. Tatsu and Takeshi, friends since boyhood, reluctantly join Shin's gang. Shin's an upstart and moves his gang often to avoid the local kingpin. Hanoko is a young woman with ambitions: first she's in the blood business with her father, then she joins forces with Shin. She soon breaks off that partnership, even though she's taken the sensitive Takeshi under her wing. Double crosses multiply. Those with the closest bonds become each others' murderers.
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大阪で一家を張る堂本組の一人娘・きわは、生まれた時から極道の世界で揉まれ、並の極道より根性が据わっていると評判だった。堂本組の当代は病身のため引退、跡目をきわの夫で若頭補佐の久村修一郎が継ぎ、きわも組の姐となる。襲名披露の日、対立する三東会の組長・後藤修造の弟・信治がホテルの着付け室できわを襲い、この騒ぎで久村は信治の子分を射殺してしまった。組のため幹部の村上がこの罪を被り、きわもまた傷害罪で懲役に処せられる。
大阪に本社がある天神製薬の顧問弁護士ドゥ・チウ。彼がある朝目覚めると、同じベッドに同社の社長秘書・希子の他殺体が横たわっていた。自分が何者かによる罠に掛かったと気付いたドゥ・チウは、すぐに逃亡する。大阪府警の刑事・矢村はまだ新人の部下・里香を従え、独自の捜査でドゥ・チウの行方を追うが、捜査を進めるうち、次第にドゥ・チウは犯人ではないと感じだし、出会ったドゥ・チウとともに真犯人を追い求める。
1970年代、釜山。一介の密輸業者が足を踏み入れたのは、日本相手の麻薬ビジネス。善と悪、2つの顔をもつ密輸王の伝説は、まさにここからはじまった。
Launched in 2011 as a sister group to girl band behemoth AKB48, the Osaka-based NMB48 has become a musical force itself. With a string of No.1 hit singles and albums, not to mention sell-out performances, NMB48 continues Japan’s pop-music phenomena. Director Funahashi Atsushi, whose documentary work has previously chronicled such harrowing events as the Fukushima nuclear meltdown, pulls back the curtain on the life and struggles of the band members and the workings of the idol-making industry.
