Akira Miwa

出生 : 1923-05-19,

参加作品

Attack from Space
Director
The superhero Starman is sent by the Emerald Planet to protect Earth from belligerent aliens from the Sapphire Galaxy. The Sapphireans (or "Spherions") kidnap Dr. Yamanaka and force him to use his spaceship against the Earth.
Evil Brain from Outer Space
Director
An evil brain from outer space unleashes monsters with deadly diseases on Earth with trying to conquer the universe. Superhero Starman must battle them all to save his planet.
Atomic Rulers
Director
Super criminals are planning to infiltrate Earth with mass nuclear destruction! Only Starman can defend civilization by thwarting evil!
Invaders from Space
Director
A bunch of pernicious salamander men from the planet Kulimon in the Moffit Galaxy plan on taking over Earth by unleashing a lethal plague on mankind. It's up to valiant superhero Starman from the Emerald Planet to save the human race before it's too late.
恋愛ズバリ講座
Director
実は相当がめつい女社長に入れあげるケチな会社社長(天知)、愛する女性(池内)を田舎まで追うも人違いされ住人に歓待される青年(菅原)、結婚詐欺師の標的にされる幼稚園の先生(三原)らの、愛や欲が渦巻く恋の駆け引きが展開する。
男が血を見た時
Director
0線の女狼群
Screenplay
Japanese crime film
0線の女狼群
Director
Japanese crime film
殺人犯・七つの顔
Screenplay
Japanese crime film
殺人犯・七つの顔
Director
Japanese crime film
スーパー・ジャイアンツ 宇宙怪人出現
Screenplay
The 7th Super Giant film. Super Giant battles a marauding alien brain-like creature created by a mad scientist and an alien army. (stand-alone episode)
スーパー・ジャイアンツ 宇宙怪人出現
Director
The 7th Super Giant film. Super Giant battles a marauding alien brain-like creature created by a mad scientist and an alien army. (stand-alone episode)
スーパー・ジャイアンツ 鋼鉄の巨人
Assistant Director
The 1st film in the Super Giant movie series, in which the title hero saves the world from foreign terrorsts threatening Japan with a nuclear attack (Part 1 of 2)
続スーパー・ジャイアンツ 続鋼鉄の巨人
Assistant Director
The 2nd Super Giant film. Super Giant continues his battle against the foreign terrorists. In return, they frame him for murder. (Part 2 of 2)
たそがれ酒場
Assistant Director
Takes place in one place, a beer hall, over the course of one evening. Uchida employs this concentration of setting and time to fashion a microcosm for a group portrait of Japan. One by one, the regulars of the bar appear: the pianist who dreams of becoming a composer but has disappeared from the music world after a knifing; a stripper who had planned to be a ballet dancer; an elderly painter trying to make a living at pachinko, and who rues his art having been used for militarist propaganda during the war; a young waitress considering elopement; a colonel turned real estate broker who attempts to rouse the crowd in military song until he realizes the tune has been transformed by marchers in the street into a leftist chant. The "twilight" is more than just a time of day; here, it is a state of being, a suspension between past and present, between the camaraderie of the saloon and the harsh world outside.
大阪の宿
Assistant Director
An Inn at Osaka, rarely seen outside Japan, follows the story of an insurance company executive from Tokyo, Mr. Mito, who is demoted to the Osaka office. He takes a room at a small inn and tries to rebuild his life. Notable for its exquisite framing and cinematography, An Inn at Osaka allows its complicated plotlines to disappear behind the minutiae of penury and humiliation that Mito and others suffer during the post-war economic and social reconstruction.
煙突の見える場所
Assistant Director
かつて東京・千住に立っていた「お化け煙突」の下で暮らす人々の日常を描いた人間ドラマ。。