Set Dresser
When their quiet beach town is invaded by a mysterious threat, five kids - a gamer, comic book geek, inventor, skater and martial artist - must band together and use an arsenal of homemade gadgets to fight back.
Art Direction
In Host, Missouri, the newcomer Dr. of Veterinary Science Eli Rudkus is called by the farmer Jacob Long to exam one of his cows. The veterinarian finds a strange parasite in the animal and sends it to a friend in the Department of Agriculture for research. Later, he finds the same parasite in a creek and he summons the population for a meeting, warning that the cause might be the animal food. However, Fletcher Odermatt, the wealthy owner of the local Host Tender Meals that has been providing free animal food for the farmers, brings his lawyer Hayley Anderson and discredits Eli. When a huge mutant parasite attacks Eli and Jacob, they discover that the meals are actually an experimental genetic cocktail that is growing parasites inside the cattle and people. Written by Claudio Carvalho, Rio de Janeiro, Brazil
Set Decoration
Art Direction
Art Department Assistant
On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.
The young and inexperienced godson of a millionaire falls for a singer who is married. The millionaire opposes the relationship because he feels a "strange tenderness" for the boy.
Víctima de la estafa
This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.
