Miguel Moraes Cabral

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

A crew is shooting a libertine costume film in the countryside when Valentin, the director, suddenly disappears. While the local police investigates, the film shoot continues but takes an odd turn. Robin, the cameraman and director’s lover, follows a promise and reaches the Mexican Pacific.

Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.

On a summer holiday in the countryside, Louis and Paul spend the time alone making love throughout the day. But as Paul becomes distant, Louis finds connections in his dreams but sometimes his dreams aren't always the safest escape.

On a summer holiday in the countryside, Louis and Paul spend the time alone making love throughout the day. But as Paul becomes distant, Louis finds connections in his dreams but sometimes his dreams aren't always the safest escape.

After fourteen years away from her homeland, Salomé is forced to return to Cape Verde to see her dying brother. During her stopover at Lisbon airport, Águeda, a cleaning lady, recognizes Salomé as "Mila", her childhood friend. Águeda invites Salomé to leave the airport and spend the stopover at her home, with the women of her family. The neighborhood transports her on a spiritual journey, whose destination reveals a painful bond with her homeland.

Bruno Aleixo was invited to write a biopic about his own life. Lacking ideas, he decided to ask his closest friends for inspiration. Reunited in a cafe, each of his friends suggests a different idea, more or less biographical.

From Sunday to Sunday, the Arcozelo football field is battered by the North wind. The lawn has to be swept and lots of clothes washed. - The boys are coming! - The two equipment managers, São and Cunha, know the name of the little players. Everyone is taken care of and the socks drying on the goals are also to be lent.

From Sunday to Sunday, the Arcozelo football field is battered by the North wind. The lawn has to be swept and lots of clothes washed. - The boys are coming! - The two equipment managers, São and Cunha, know the name of the little players. Everyone is taken care of and the socks drying on the goals are also to be lent.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

For two years, we filmed in an ancient convent of the seventeenth century, which houses the Conservatory of Music of Lisbon. Moved by our love for this anachronistic place, for the music that is played there and for the richness of its teaching, Il Sogno mio d'amore immerses us into the universe of the transmission of music between teachers and pupils. Sounds and words mingle with gestures, form a unique language and reveal what is most profound in the human being: the expression of his sensibility.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

Deolindo and Stevenson try to find their place in the middle of the jungle. Along their path we will witness the transformation of a territory where in every moment the present and the past become confused, in a thought-provoking struggle between modernity and tradition. What are the secrets of the jungle? Where are its limits?

Deolindo and Stevenson try to find their place in the middle of the jungle. Along their path we will witness the transformation of a territory where in every moment the present and the past become confused, in a thought-provoking struggle between modernity and tradition. What are the secrets of the jungle? Where are its limits?

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.