Miguel Moraes Cabral

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement ("unrueh") of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.

A crew is shooting a libertine costume film in the countryside when Valentin, the director, suddenly disappears. While the local police investigates, the film shoot continues but takes an odd turn. Robin, the cameraman and director’s lover, follows a promise and reaches the Mexican Pacific.

Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.

On a summer holiday in the countryside, Louis and Paul spend the time alone making love throughout the day. But as Paul becomes distant, Louis finds connections in his dreams but sometimes his dreams aren't always the safest escape.

On a summer holiday in the countryside, Louis and Paul spend the time alone making love throughout the day. But as Paul becomes distant, Louis finds connections in his dreams but sometimes his dreams aren't always the safest escape.

Depois de 14 anos longe da sua terra natal, Salomé viaja para a Ilha de Santiago, Cabo-Verde, para ver o seu irmão cuja vida está presa por um fio. Faz escala no aeroporto de Lisboa, onde Águeda, empregada de limpeza, a reconhece como "Mila", sua velha amiga de infância. Águeda convida-a a passar as horas de escala em sua casa, com as mulheres da sua família. Enquanto Salomé luta para desmagnetizar a dolorosa ligação com a sua terra, o espírito do bairro devolve-a à essência à qual ela pertence.

Personagem cômico e famoso no YouTube, o português Bruno Aleixo ganha seu próprio filme. Na trama, Bruno decide escrever uma autobiografia. Ele se reúne com amigos, para que eles lhe deem ideias para o texto.

De Domingo a Domingo, o campo de futebol do Arcozelo sobrevive às adversidades do vento Norte. É preciso varrer o relvado gasto e lavar muita roupa. — Os meninos estão a chegar! — Os dois roupeiros, São e Cunha, sabem o nome dos pequenos jogadores. De todos se cuida e as meias que secam nas balizas também são para emprestar.

De Domingo a Domingo, o campo de futebol do Arcozelo sobrevive às adversidades do vento Norte. É preciso varrer o relvado gasto e lavar muita roupa. — Os meninos estão a chegar! — Os dois roupeiros, São e Cunha, sabem o nome dos pequenos jogadores. De todos se cuida e as meias que secam nas balizas também são para emprestar.

Se caminharmos de dia no Bairro Alto, em Lisboa, uma estranha música cacofónica ressoa ao redor da rua dos Caetanos. Vem do antigo convento do século XVII que deu nome à rua e que é hoje a Escola de Música do Conservatório Nacional. Durante cerca de dois anos, o dueto de realizadores explora a linguagem única, feita de palavras, gestos e sons, criada durante a transmissão musical entre professores e alunos. Cada um procura a expressão mais justa. São os últimos anos do edifício a esmiuçar-se antes das grandes obras de renovação.

Se caminharmos de dia no Bairro Alto, em Lisboa, uma estranha música cacofónica ressoa ao redor da rua dos Caetanos. Vem do antigo convento do século XVII que deu nome à rua e que é hoje a Escola de Música do Conservatório Nacional. Durante cerca de dois anos, o dueto de realizadores explora a linguagem única, feita de palavras, gestos e sons, criada durante a transmissão musical entre professores e alunos. Cada um procura a expressão mais justa. São os últimos anos do edifício a esmiuçar-se antes das grandes obras de renovação.

Se caminharmos de dia no Bairro Alto, em Lisboa, uma estranha música cacofónica ressoa ao redor da rua dos Caetanos. Vem do antigo convento do século XVII que deu nome à rua e que é hoje a Escola de Música do Conservatório Nacional. Durante cerca de dois anos, o dueto de realizadores explora a linguagem única, feita de palavras, gestos e sons, criada durante a transmissão musical entre professores e alunos. Cada um procura a expressão mais justa. São os últimos anos do edifício a esmiuçar-se antes das grandes obras de renovação.

Se caminharmos de dia no Bairro Alto, em Lisboa, uma estranha música cacofónica ressoa ao redor da rua dos Caetanos. Vem do antigo convento do século XVII que deu nome à rua e que é hoje a Escola de Música do Conservatório Nacional. Durante cerca de dois anos, o dueto de realizadores explora a linguagem única, feita de palavras, gestos e sons, criada durante a transmissão musical entre professores e alunos. Cada um procura a expressão mais justa. São os últimos anos do edifício a esmiuçar-se antes das grandes obras de renovação.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

In love with Trás-os-Montes and with his Guide of Portugal as a source of inspiration, Miguel looks for stories for his new documentary. One day, the appearance of a man riding a donkey changes his future.

Deolindo and Stevenson try to find their place in the middle of the jungle. Along their path we will witness the transformation of a territory where in every moment the present and the past become confused, in a thought-provoking struggle between modernity and tradition. What are the secrets of the jungle? Where are its limits?

Deolindo and Stevenson try to find their place in the middle of the jungle. Along their path we will witness the transformation of a territory where in every moment the present and the past become confused, in a thought-provoking struggle between modernity and tradition. What are the secrets of the jungle? Where are its limits?

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.

Jorge is a knife-sharpener. Despite being old and retired, he still keeps on working. Even health is not on his side, but this doesn’t seem to stop him. He drives down the streets with his motorcycle loaded with the trade’s tools day in and day out. Along the way he meets people he has known for years; he relives the past with them and looks concerned at the future, which seems to want to erase them.