Gladys Atkinson

参加作品

Richard III
Hair Designer
Having helped his brother King Edward IV take the throne of England, the jealous hunchback Richard, Duke of York, plots to seize power for himself. Masterfully deceiving and plotting against nearly everyone in the royal court, including his eventual wife, Lady Anne, and his brother George, Duke of Clarence, Richard orchestrates a bloody rise to power before finding all his gains jeopardized by those he betrayed.
The Constant Husband
Hairdresser
Charles Hathaway wakes up in West Wales with no recollection of who he is or how he got there. With the help of a Cardiff specialist he traces his life back to his gorgeous wife and their large London house, so all seems well with the world. But more detective work starts to uncover an alarming chain of further stunning wives and a way of going on that the new Charles finds pretty unacceptable.
Malaga
Hairstylist
Maureen O'Hara hunts drug smugglers in Africa.
Hobson's Choice
Hairdresser
Henry Hobson owns and tyrannically runs a successful Victorian boot maker’s shop in Salford, England. A stingy widower with a weakness for overindulging in the local Moonraker Public House, he exploits his three daughters as cheap labour. When he declares that there will be ‘no marriages’ to avoid the expense of marriage settlements at £500 each, his eldest daughter Maggie rebels.
The Man Between
Hairstylist
A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.
The Crimson Pirate
Hairstylist
Burt Lancaster plays a pirate with a taste for intrigue and acrobatics who involves himself in the goings on of a revolution in the Caribbean in the late 1700s. A light hearted adventure involving prison breaks, an oddball Scientist, sailing ships, naval fights, and tons of swordplay.
Curtain Up
Hairdresser
In a small town in the 1950's a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.