Engelbert Humperdinck

In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Since its premiere in 1893, Engelbert Humperdinck's fairytale opera »Hansel and Gretel« has awakened a passion for music theatre in generations of children. Even his great contemporaries – such as Richard Strauss, Gustav Mahler or Johannes Brahms – were delighted by this work. It is the successful combination of seemingly folkloric simplicity and the complex musical language of Wagner’s direct successor, of simple melody and artful orchestration, and of socio-critical realism and atmospheric magic that makes the music to the Brothers Grimm’s famous story so captivating. And so the Vienna State Opera's production speaks to both children and adults alike, leading through wondrous projections of a magic lantern into the middle of the fairytale storyline.

Staging directors Patrice Caurier and Moshe Leiser infuse German composer Engelbert Humperdinck's fairy-tale opera with more than a dollop of black humor in this 2008 London performance that's both enchanting and menacing. Angelika Kirchschlager and Diana Damrau play Hansel and Gretel, respectively, and beloved British baritone Thomas Allen portrays their father in an outstanding production led by maestro Colin Davis.

Johannes Felsenstein’s production of HANSEL AND GRETEL presents it with every sinister element removed. The children remain in a home setting with their own bed central to the scene and the barest hint of a forest behind, while their father plays the witch as an amiable, totally benevolent figure, not sinister at all, even joining them in the final joyful ensemble. When they sing that the witch is dead, you find that the production contradicts that completely. Taking that unsinister stance means that the opera loses much of its bite. No doubt Felsenstein felt that it would make the piece more accessible for very young children, though many of them relish the sinister element. That said, it is a strong and capable performance, very well conducted and with a cast of good if not outstanding singers. One wonders what Felsenstein meant to convey, just as it is not clear why the central characters should regularly be carrying dolls. A highly individual version of a much-loved opera.

This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.

As bright and colorful as penny candy, this visually arresting production of Engelbert Humperdinck's "Hansel und Gretel" puts a twist on the classic fairy tale upon which it's based by uprooting the action to modern times. Director Laurent Pelly's interpretation, which premiered at Glyndebourne in 2008, finds Hansel, Gretel and their family taking shelter in a cardboard box while the witch's stock of goodies lines the shelves of a supermarket.

From the Semperoper Dresden, 2006 Fairy-tale Opera in three acts by Engelbert Humperdinck based on a libretto by Adelheid Wette

The Metropolitan Opera's performance of "Hansel and Gretel" features music by Engelbert Humperdinck and is conducted by Thomas Fulton. The Met's storybook production cheerfully evokes a magic world of woodland sprites and candy dreams and yet brings as well the entire apparatus of Wagnerian music and drama to bear on a German fairy tale. This production is sung in English, and features the Metropolitan Opera, Chorus, and Ballet.

誰もが知っているグリム童話の「ヘンゼルとグレーテル」の物語をベースにしたフンパーディンク作曲の≪ヘンゼルとグレーテル≫は、判り易い内容と珠玉のメロディに満ちた親しみ易い「メルヘン･オペラ」の代表作。ファスベンダー、グルベローヴァ、プライといった魅力溢れる超一流のキャスト、ショルティの的確なタクトによる最高の音楽と幻想的な映像は、子供から大人まで全ての世代を魅了します。

An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.