Olivier Brabant

参加作品

Marinette
Président de la commission de discipline FFF
Based on the biography Ne jamais rien lâcher, the script traces the career of Marinette Pichon over three decades. Born in 1975, she was the pioneer of French women's football and one of the greatest stars of that sport in the world. A prodigy discovered at the age of five, she went on to become the first French player to make a career in the United States (men/women combined) and the record holder for the number of goals and selections for the French team (men/women combined). From her childhood, ravaged by an alcoholic and violent father, to the American dream (she was crowned best player and best scorer in the prestigious US league in 2002 and 2003 and "Most Valuable Player" in 2003), via her career with the French team, Marinette paints the portrait of a kid from a working-class background who was not destined for such an extraordinary career path...
Invisibles
Mayor's Advisor
Following a city councils decision, a women's shelter will soon be closed and social workers have only three months to accommodate the residents.
40-Love
Jérôme, a senior executive, has just left his company. Determined to never work for nobody else ever again, he attempts to set up his own company, come what may, even ignoring the reluctance of his wife Laura. Ugo, their 11-year-old son, is a tennis player and a promising champion. To reach his goal, he must make it into the Roland Garros national training centre. Just like his dad, he’s willing to do whatever it takes to make it. Together, Ugo and Jérôme will realize that not all rules can be bent in the quest for success.
Familles, je vous hais
In this, his first film, director Bruno Bontzolakis has attempted to extend the playing time of a short-feature story without complete success. The focus is on 17-year-old Jessica who is struggling with reconciling the love she has for her father with the hatred she has for his right-wing politics. Instead of a shorter story dealing with this conflict alone, Bontzolakis has drawn attention away to peripheral subjects like the depressed mother of one of Jessica's friends, or the inveterate drinker at the local bar -- interesting, but distracting at the same time.