Olivier Brabant

Filmes

Marinette
Président de la commission de discipline FFF
Based on the biography Ne jamais rien lâcher, the script traces the career of Marinette Pichon over three decades. Born in 1975, she was the pioneer of French women's football and one of the greatest stars of that sport in the world. A prodigy discovered at the age of five, she went on to become the first French player to make a career in the United States (men/women combined) and the record holder for the number of goals and selections for the French team (men/women combined). From her childhood, ravaged by an alcoholic and violent father, to the American dream (she was crowned best player and best scorer in the prestigious US league in 2002 and 2003 and "Most Valuable Player" in 2003), via her career with the French team, Marinette paints the portrait of a kid from a working-class background who was not destined for such an extraordinary career path...
As Invisíveis
Mayor's Advisor
Após uma decisão municipal, um abrigo para mulheres sem-teto, L´Envol, está prestes a fechar as portas. Com apenas três meses para reintegrar as mulheres que ali eram abrigadas, as assistentes sociais fazem tudo o que podem: mexem os pauzinhos, distorcem a verdade e até mesmo contam mentiras descaradas... a partir de agora vale tudo!
40-Love
Jérôme é um executivo sênior que acaba de se demitir. Ele quer abrir a própria empresa, custe o que custar, apesar da relutância de sua mulher, Laura. Ugo, seu filho de 11 anos, é jogador de tênis e está tentando a seleção do centro de treinamento de Roland Garros. Como o pai, o garoto está disposto a fazer de tudo para alcançar esse objetivo. Juntos, Ugo e Jérôme vão se dar conta de que nem todas as regras podem ser burladas para a conquista do sucesso.
Familles, je vous hais
In this, his first film, director Bruno Bontzolakis has attempted to extend the playing time of a short-feature story without complete success. The focus is on 17-year-old Jessica who is struggling with reconciling the love she has for her father with the hatred she has for his right-wing politics. Instead of a shorter story dealing with this conflict alone, Bontzolakis has drawn attention away to peripheral subjects like the depressed mother of one of Jessica's friends, or the inveterate drinker at the local bar -- interesting, but distracting at the same time.