Production Manager
幕末の混沌とした時代、にぎわいを見せていた品川宿の遊郭旅籠の相模屋にひとりの町人・佐平次が訪れる。女郎のおそめを気に入り豪遊するが、実は佐平次は一文無しだった。その翌朝、佐平次は金がないことを若い衆に打ち明けるが、口八丁でその場に居座ってしまう。そして金を返済するためと相模屋で番頭まがいの仕事を始めた佐平次は、下働きから女郎衆、遊郭に出入りする人々のトラブルを持ち前の度胸と機転で解決してみせ、さらにお礼の金をしっかりためこんでいた。また、相模屋に逗留し攘夷の計画を練る長州藩士の高杉晋作、久坂玄瑞らとも交友を深め、いつしか佐平次は遊郭内で一目置かれる存在になっていく。
Executive In Charge Of Production
A jobless young couple, Yoshigi and Tsutue, wind up at the outskirts of the Suzaki red-light district in Tokyo. Tsutue talks her way into a job pouring sake for male customers at a small bar run by a sympathetic older woman, while Yoshigi is shunted off into a nearby noodle shop, where he gets a job delivering noodles. Tsutue charms and runs off with one of her clients. Yoshigi, ignoring the attentions of a sweet co-worker, pursues Tsutue.
Production Manager
Haruki Murakami is a successful family man and the head of a camera company. Unbeknownst to Murakami, his arrogant son oscillates between a mistress and a new lover who sings at a nightclub. When Murakami’s disabled daughter befriends the mistress, the affair throws the family into turmoil.
Production Manager
Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. In the film all three daughters become involved in some sort of complicated relationships. The sisters and their attached Men are deliberately designed as allegorical figures on the changing social conditions. A wonderfully funny, sometimes droll comedy between Nara and Tokyo, Adagio and Allegro, Yesterday and Today - in search of a morning.
