Daniel Chrétien

参加作品

Bydlo
Electrician
An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.
Cyberbully
Gaffer
A woman tries to help her teenage daughter when she becomes the victim of online bullying.
Crash Point: Berlin
Passagier 1
After a mid-air collision, an uncontrollable passenger plane with 90 souls on board speeds through the skies over Germany. The impact point for the inevitable plane crash is easily calculated: the center of Berlin. Now the race is on to prevent the catastrophe. Will the plane have to be shot down by fighter pilots?
Wall Of Secrets
Gaffer
A young lovely moves to Chicago to be with her husband. They are both amazed at the terrific apartment they obtained for very little rent. Unfortunately this apartment comes with an unsavory history. As if that isn't bad enough, there are sounds and noises in the walls!
The Moderns
Gaffer
Nick Hart is a struggling American artist who lives amongst the expatriate community in 1920s Paris. He spends most of his time drinking and socializing in local café's and pestering gallery owner Libby Valentin to sell his paintings. He becomes involved in a plot by wealthy art patroness Nathalie de Ville to forge three paintings. This leads to several run-ins with American rubber magnate Bertram Stone, who happens to be married to Hart's ex-wife Rachel.
Half a Lifetime
Gaffer
A regular night of poker among for friends turns into a night full of conflict, accusations and self-examinations.
The Red Kitchen
Electrician
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.