Daniel Chrétien

An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.

Cyberbully conta a história de Taylor Hillridge (Emily Osment), uma adolescente que se torna vítima de bullying online. Quando sua mãe (Kelly Rowan) lhe dá um computador de aniversário, Taylor se anima pela perspectiva de liberdade e independência de se conectar sem a mãe sempre olhando. Mas Taylor logo se descobre vítima de bullying enquanto visita uma rede social, e, com medo de encarar seus colegas na escola, inclusive sua melhor amiga Samantha (Kay Panabaker), ela é forçada ao limite.

After a mid-air collision, an uncontrollable passenger plane with 90 souls on board speeds through the skies over Germany. The impact point for the inevitable plane crash is easily calculated: the center of Berlin. Now the race is on to prevent the catastrophe. Will the plane have to be shot down by fighter pilots?

A young lovely moves to Chicago to be with her husband. They are both amazed at the terrific apartment they obtained for very little rent. Unfortunately this apartment comes with an unsavory history. As if that isn't bad enough, there are sounds and noises in the walls!

Nos anos 20, o artista plástico Nick Hart luta para sobreviver do seu ofício numa comunidade de expatriados americanos em Paris, onde acaba se envolvendo com uma rica colecionadora num obscuro esquema de falsificação de obras de arte.

A regular night of poker among for friends turns into a night full of conflict, accusations and self-examinations.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.