Script Supervisor
自由気ままな人生を送り、イタリアとカナダとアメリカで3度結婚したバーニー。3回目の挙式の最中に別の女性に心ときめかせ、真実の愛に目覚め……。ポール・ジアマッティ、ダスティン・ホフマン共演のラヴ・コメディ。
Continuity
心理的プロファイリングを専門とするFBI特別捜査官イレアナスコット（アンジェリーナジョリー）は、モントリオールでフランス語を話すカナダの警察から呼び出され、被害者の身元を装ったと思われる連続殺人犯を捕まえようとします。 捜査はジェームス・コスタ（イーサン・ホーク）の出現によって支援されました。彼は犠牲者の一人と同じように殺人者を見た目撃者です。
Script Supervisor
第76回アカデミー賞最優秀外国語映画賞に輝いた、親子の絆と人生の終幕を温かく描き出した珠玉の感動作。愛する家族や友人たちに囲まれて「さようなら」と微笑む父の姿が、いつまでも忘れられない。
Script Supervisor
Television made him famous, but his biggest hits happened off screen. Television producer by day, CIA assassin by night, Chuck Barris was recruited by the CIA at the height of his TV career and trained to become a covert operative. Or so Barris said.
Script Supervisor
Recently orphaned, a young boy is taken in by his godmother who is shocked to realize that she can see the boy's imaginary friend: a flamboyant, French magician named Bogus.
Continuity
Missionary Father LaForgue travels to the New World in hopes of converting Algonquin Indians to Catholicism. Accepted, though warily, by the Indians, LaForgue travels with the Indians using his strict Catholic rules and ideals to try and impose his religion.
Script Supervisor
Marine officer Rob Cutter and his wife Barbara have a son named Johnny. Rob discovers that two newly delivered helicopters in his squadron have crashed because a defective part, a C-ring, has been made of a weaker, less expensive alloy. Before Rob can go public with this, Rob is killed on the orders of corrupt General Howard, who did not want Rob to go public with the defective part. Howard believes that Barbara, who is also a marine, now has the part, so Howard and his henchmen set out to kill Barbara and Johnny and get the part, but Howard is underestimating what Barbara is willing to do to protect Johnny.
Writer
On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.
