Jun Yamaguchi

The revision of the previous musical, Infinity Academy, with plot and cast changes.

The burned remains of a young woman discovered in Shinjuku, Tokyo. The police comes to the conclusion that its the work of a pyromaniacal serial murderer. The murder victim is identified as Mayumi Tamaki, a native of Ishigaki, Okinawa. As the investigation unfolded, her former boyfriend, a former rider of a motorcycle named Chōei Mikawa emerged as a suspect. But Kano did not agree Mikawa is the suspect. Kano started conducting the investigation himself to search the real criminal person.

As suggested by the title, this film takes up the theme of the city, beginning with a series of traveling shots from Chiyo's point o view on a bus leaving the countryside and entering the metropolitan cityscape. After some fruitless job hunting in downtown Tokyo, Chiyo accepts a job as a bar hostess in Shiba ward. Well away from glamorous Asakusa and Ginza, this is a neighborhood bar where the women are dirt poor, each having only one kimono to their name....

The story picks up from Part 1 as Enoken's young scion forsakes his wealth and takes a department store job – in drag and sometimes blackface – to prove to the girl of his dreams that he be a hard-working, serious man.

Enoken plays a cloistered rich kid whose father hires a disreputable tutor to teach him how to really be a millionaire: by drunken debauchery, women, and song.

Ino tries to control Mon’s every move, but she becomes a fallen woman, having an affair with a student, Obata whereas her sister San remains a “good girl.” The mother is very supportive of her daughters, but, the father, Akaza, who is the stonecutter foreman on the damn, lacks control of his family.

This film is based on a real Meiji era performer -- and tells of Tochuken's partnership with his wife (played by Chikako Hosokawa) who played shamisen for his songs/recitations), his affair with a geisha (Sachiko Chiba), and the deterioration of his partnership and marriage.

Enoken plays both Kondo Isami and his deadly enemy Sakamoto Ryoma in this comedic, song-filled vision of the Meiji Restoration.

1935 P.C.L. adaptation of Natsume's novel.