The story begins with a night-club girl May jumping off from her apartment killing herself. She is suspected of being possessed by evil spirits. The landlord, Aunt Lan, rented May's room to Kate and Boopie. After they have moved into the apartment, strange things keep happening to them. And Kate is being mesmerized by a ghost. As the matter is getting worse, Jiao decides to destroy the ghost......
Upon knowing that her husband purposefully exchanged her body for business, Lam lost her control and killed her husband and devised a plan to lure her husband business partner and murdered him as well, Lam had a good impression in Ka-Wah and in order to get him in hand, she forced his girlfriend to commit suicide but fortunately she escaped and when the police came they found Ka-Wah was tied up on the bed. Upon arrested Lam, it came to the end of a tragic stroy
Icy
CIA agent turned HIV positive sexual predator Daniel (Ben Ng) uses his wealth and collection of high-tech gadgets to prey on unsuspecting women. After arranging for the prison breakout of notorious rapists "Rain Killer" Chan Kok-Wan (Ankee Leung) and "Tuen Mun Rapist" Ko Sheung-wai ( Chan Chi-Fai), Daniel invites the men to ravage the two women he has chained in the basement. He next sets his sights on Kwan Shi-han (Suki Kwan), the romance novelist next door, but, first, preys on her movie star friend, Icy (Yeung Fan). Desperate for a lead, the police consult a semi-reformed deviant known as "The Human Milk Drinking Doctor" (Anthony Wong), who used to prey on lactating women and now controls his sexual urges by working as a porno theatre projectionist.
King Wang's Wife
Chu is a lowly debt collector for the local strongman Wang. Problem is that Chu is too nice/honest/dopey to be very good at the grubby collections job. Chu is treated badly by his boss Wang. Eventually Wang catches one of his twin daughters in the act of seducing the hapless bumpkin Chu. Wang naturally blames Chu rather than the daughter. For punishment Wang sends Chu on an impossible quest to Satan's Temple to steal a statue of Judge Lu.
Kuen
The blood flows freely in this sequel to the first Untold Story, which now finds Anthony Wong Chau-Sang in a different role; in a film that is just as violent and frightening as the original. An unhappily married couple invite the wife's beautiful cousin, who has survived a horrifying experience in Mainland China, to live with them. She has her own special way of overcoming hardship and becomes the master of the barbecue
Mabel
A dentist obsessed with young women in various uniforms stalks two sisters. The oldest sister is romantically pursued by a thug that was just released from prison. The dentist also has the hots for her and the two paths eventually cross
Screenplay
Lee (Ng Cho-fan), who is the retired jewel thief the Black Cat Burglar, is suspected by the police in a string of burglaries. While fleeing from the police's search, he realises he can only prove his innocence by catching the new Cat in the act. Meanwhile, he is romantically caught in between a young girl from overseas and his goddaughter. As a Cantonese ripoff of Hitchcock's To Catch a Thief (1955), this remake does not have the beautiful scenery from the French Riviera but is full of economical wonders. Director Wong Hang employs westernised filmmaking troops to enhance the film, making it outstanding from other Cantonese films of the same time. From high society gatherings to a hide-and-seek in a masquerade, the film demonstrates not only an elegant style but the versatility and adaptability of Cantonese films. Unlike Cary Grant, Ng Cho-fan manifests himself with a mysterious and artistic aura.
Lee (Ng Cho-fan), who is the retired jewel thief the Black Cat Burglar, is suspected by the police in a string of burglaries. While fleeing from the police's search, he realises he can only prove his innocence by catching the new Cat in the act. Meanwhile, he is romantically caught in between a young girl from overseas and his goddaughter. As a Cantonese ripoff of Hitchcock's To Catch a Thief (1955), this remake does not have the beautiful scenery from the French Riviera but is full of economical wonders. Director Wong Hang employs westernised filmmaking troops to enhance the film, making it outstanding from other Cantonese films of the same time. From high society gatherings to a hide-and-seek in a masquerade, the film demonstrates not only an elegant style but the versatility and adaptability of Cantonese films. Unlike Cary Grant, Ng Cho-fan manifests himself with a mysterious and artistic aura.
Cheung Ching
This is a film that celebrates the moral function of art. Sun Ma Si-tsang, at once a master Cantonese opera actor and a talented comedian, showcases an oft-overlooked style of singing, presenting it as an inspirational force that saves life and betters relationships. He plays the titled character, who doesn't operate a boat and is nowhere near bodies of water, but an artist specialising in the Dragon Boat style of music. Forced to perform on the streets to make a living, he ventures into situations manifesting the many societal problems that plague Hong Kong, inspiring and elevating common folks with his artistry. He stars alongside Leung Sing-por in a classic animation of comedy partnership, generating laughter from the interactions between players of contrasting body types.