Ayhan Salar

参加作品

Sughra's Sons
Producer
1945. The women do the work in a remote village while the men are fighting the Nazis. A small group of deserters is hiding in the mountains and little Bahtiyar acts as the liaison between the men and the village.
Sughra's Sons
Director of Photography
1945. The women do the work in a remote village while the men are fighting the Nazis. A small group of deserters is hiding in the mountains and little Bahtiyar acts as the liaison between the men and the village.
Pomegranate Orchard
Director of Photography
Inspired by Anton Chekhov's The Cherry Orchard, the film follows a prodigal son who returns after 12 years. His reappearance at the family home in rural Azerbaijan significantly alters their way of life.
Eşik
Editor
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Eşik
Director of Photography
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Eşik
Producer
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Eşik
Writer
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Eşik
Director
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Down the River
Director of Photography
Young Ruslan rows for a team coached by his father Ali, who places many demands upon his son and is continually dissatisfied by his performance. But when tragedy strikes, his father is overcome with emotions he doesn’t know how to deal with. Debut director Asif Rustamov treats the heavy topic with remarkable subtlety and discretion, emphasizing the characters’ carefully elaborated psychology.
As If
Director of Photography
This is a simple love story. A silent film with sound in which virtual reality has finally caught up with us. And why does everyone always have to speak English?
In Foreign Soil
Producer
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
In Foreign Soil
Book
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
In Foreign Soil
Cinematography
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
In Foreign Soil
Director
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.