Producer
1945. The women do the work in a remote village while the men are fighting the Nazis. A small group of deserters is hiding in the mountains and little Bahtiyar acts as the liaison between the men and the village.
Director of Photography
1945. The women do the work in a remote village while the men are fighting the Nazis. A small group of deserters is hiding in the mountains and little Bahtiyar acts as the liaison between the men and the village.
Director of Photography
Основанный на романе Антона Чехова «Вишневый сад», фильм рассказывает о блудном сыне, который возвращается спустя 12 лет. Его появление в семейном доме сельской местности Азербайджана существенно меняет их образ жизни.
Editor
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Director of Photography
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Producer
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Writer
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Director
A young woman waits for her husband to return from one of his regular business trips. However, he never shows up, and her joyful anticipation of seeing him develops into questioning concern and ultimately paralysing fear. The empty apartment becomes a labyrinth of memory and expectation, its silence broken only by the agonising sound of car engines, none of which announce her husband’s arrival…
Director of Photography
Али - учитель гребли, живущий в провинциальном городе. Он не общается ни с женой, ни с сыном-подростком. В то же время польская любовница Александра Андреевская предлагает ему поехать за границу. Каждый раз, когда Али колеблется в этом предложении, то он думает, что одинок. А счастье - это слабая сила воли и нерешительный поиск других, которым нет места в семье. Этот характер также создаёт проблемы в его семье. Проблемы с сыном Али, также являются одним из главных вопросов фильма. Из первой сцены он унижал своего сына оскорблениями. Мальчик, который был потрясён этим инцидентом, бросился в воду и пропал. Али и Лейла разыскивают своего пропавшего ребёнка и становятся главной частью фильма. Этот поиск начинает восстанавливать их разбитую семью. Болезненные поиски Али, отраженные в его язычестве, были ясно продемонстрированы внутренней историей Лейлы. Они объединяются в поиске своего сына, и в этот момент польская женщина не может их разлучить...
Director of Photography
This is a simple love story. A silent film with sound in which virtual reality has finally caught up with us. And why does everyone always have to speak English?
Producer
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
Book
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
Cinematography
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
Director
In fremder Erde (In Foreign Soil) documents the Muslim traditions of burial in Turkey and Germany, but above all, the paths the dead take to return to Anatolian soil.
