Himself
Documentary about the making of the sequel to Superman.
Art Direction
秘密組織スメルシュによって各国の諜報部員が次々と抹殺されて行く。英情報部は、００７のコードネームを後輩に譲り今では隠居生活を営む元祖ジェームズ・ボンドにスメルシュ打倒を依頼するが……。ショーン・コネリーの００７が人気を博していた当時、唯一版権が製作会社イオン・プロになかった『カジノ・ロワイヤル』をプロデューサー、チャールズ・Ｋ・フェルドマンがコロムビアで映画化した一大パロディ。笑いは泥臭く全く洗練されていないし、５人の監督の個性が裏目に出たのかシーンによっての落差が激しく、お世辞にも良く出来た作品とは言い難いが、とにかく賑やか。呆けて見るにはこれ以上の映画はないだろう。バート・バカラックの音楽は絶品、大ヒット主題歌“愛のおもかげ（Ｌｏｏｋ ｏｆ Ｌｏｖｅ）”も素晴らしくサウンドトラックの充実が最大の魅力。
Assistant Art Director
Loner Mark Lewis works at a film studio during the day and, at night, takes racy photographs of women. Also he's making a documentary on fear, which involves recording the reactions of victims as he murders them. He befriends Helen, the daughter of the family living in the apartment below his, and he tells her vaguely about the movie he is making.
Special Effects
Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.
Assistant Art Director
At the height of World War II, the Germans begin dropping a new type of booby-trapped bomb on England. Sammy Rice, a highly-skilled but haunted bomb-disposal officer, must overcome his personal demons to defeat this new threat.
