Luisa-Céline Gaffron

East Germany, in autumn 1999. Gudrun Pfaff is about to turn sixty when she finds out that the orphanage she grew up in is being sold to turn into a hotel, and she is willing to do anything to stop it.

Ela, a young actress, gets a role with the well-known theatre director Franz Kramer. The production is a great opportunity for Ela, but also comes with pressure. Kramer constantly oversteps Elas boundaries, and the situation worsens when Kramer sexually harasses her. Ela struggles to reconstruct her role as a self-confident character-and realizes that to do so, she has to take the same steps of self-empowerment in her real life.

Love and loss are closely linked in MY SON, an emotional drama about a teenager and his mother who go on a journey together after nearly having lost one another.

Luisa, a 20-year-old law student, joins a cell of the Antifa group when she and her friends Alfa and Lenor get to know about an upcoming attack planned by a local neo-Nazi gang. As they try to find out more, the three youngsters delve deeper into the scene linked to right-wing movements and their political connections, to the point where they will understand how much they are willing to go further, in order to defend their own beliefs.

1938. While the Nazi troops march into Vienna, the lawyer Josef Bartok hastily tries to escape to the USA with his wife but is arrested by the Gestapo. Bartok remains steadfast and refuses to cooperate with the Gestapo that requires confidential information from him. Thrown into solitary confinement, Bartok is psychologically tormented for months and begins to weaken. However, when he steals an old book about chess it sets him on course to overcome the mental suffering inflicted upon him, until it becomes a dangerous obsession.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

Berlin, the Prenzlauer Berg district. Daniel is a movie star accustomed to success. His loft apartment is stylish and so is his wife, and the nanny has the children under control. Everything is tip-top, bilingual and ready for him to jet off to an audition in London where a role in an American superhero film awaits the celebrated German-Spanish actor. Popping into the local bar on the corner, he finds Bruno sitting there. As transpires by the minute, Bruno has been waiting for this moment for a long time. And so this eternally overlooked man – one of reunification's losers and a victim of the gentrification of what was once East Berlin – takes his revenge. With Daniel as his target...

August 13, 1961: The passengers on the interzonal train from Munich to East Berlin learn 3½ hours before crossing the border that the Wall is being built in Berlin. They have 3½ hours to make a life-changing decision: to get off the train or keep going.

These young women are an odd couple. Julie is quick-witted and stubborn. She celebrates idleness and even voluntarily checks into a psychiatric clinic. Nurse Agnes, on the other hand, is always eager to do the right thing and to meet everyone's expectations of her, which is not always easy. When the two of them accidentally meet one day, odds are they won't get along. But they quickly feel attracted to one another, despite their enormous differences.

Summer 1939. Influential families in Nazi Germany have sent their daughters to a finishing school in an English seaside town to learn the language and be ambassadors for a future looking National Socialist. A teacher there sees what is coming and is trying to raise the alarm. But the authorities believe he is the problem.

Occupied France, 1942. Gilles is arrested by SS soldiers alongside other Jews and sent to a camp in Germany. He narrowly avoids sudden execution by swearing to the guards that he is not Jewish, but Persian. This lie temporarily saves him, but Gilles gets assigned a life-or-death mission: to teach Farsi to Head of Camp Koch, who dreams of opening a restaurant in Iran once the war is over. Through an ingenious trick, Gilles manages to survive by inventing words of "Farsi" every day and teaching them to Koch.

ドイツの絵本作家ジュディス・カーが少女時代の体験を基につづった自伝的小説「ヒトラーにぬすまれたももいろうさぎ」を、「名もなきアフリカの地で」のカロリーヌ・リンク監督が映画化。1933年2月。ベルリンで両親や兄と暮らす9歳のアンナは、ある朝突然、「家族でスイスに逃げる」と母から告げられる。新聞やラジオでヒトラーへの痛烈な批判を展開していた演劇批評家でユダヤ人でもある父は、次の選挙でのヒトラーの勝利が現実味を帯びてきたことに身の危険を感じ、密かに亡命の準備を進めていたのだ。持ち物は1つだけと言われたアンナは大好きなピンクのうさぎのぬいぐるみに別れを告げ、過酷な逃亡生活へと踏み出していく。アンナの父を「帰ってきたヒトラー」のオリバー・マスッチ、母を「ブレードランナー 2049」のカーラ・ジュリ、心優しいユリウスおじさんを「お名前はアドルフ？」のユストゥス・フォン・ドーナニーが演じた。

Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.

Three women, three different stories, one room in a psychiatric clinic. A strong and tumultuous relationship erupts among them, evolving into an energetic, honest and erotic bond. This takes them to a point where their hopes may be fulfilled… in very different ways.

Set in the near future, Brooke Brooks is a former supermodel who becomes a successful lifestyle mogul and is the first person to IPO herself. Having commodified herself, she's forced to confront her sense of self and the identity she's created.