Vuk Mitevski

参加作品

21 Days Until the End of the World
Production Design
What would you do if you had 21 days left to live? What do you think you could do? This is a daring film, disturbingly honest, with a chilling melancholy to it, almost uncomfortable to view. Audacious, impulsive, and courageous, the filmmaker stands naked, laying it all out. Do we dare to look? Do you dare to listen when one addresses you so daringly?
The Happiest Man in the World
Production Designer
Asja, a 40-year-old single woman living in Sarajevo, who meets Zoran, a 43-year-old banker, at a dating event. Zoran is not there looking for love though, but for forgiveness. During the war in 1993 he was shooting at the city from the opposite side, and he wants to meet his first victim. Now, they both have to relive the pain in their search for forgiveness.
Beyond the Horizon
Art Direction
Summer '76, there's a heatwave and the Swiss countryside is drying out at top speed. In this stifling environment, Gus who is thirteen years old and son of a farmer, sees both his family environment and his innocence relentlessly breaking. He's living the end of a world.
One of Many
Animation
Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
One of Many
Cinematography
Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
One of Many
Editor
Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
One of Many
Director
Told in a very abstract and poetic way, this love story – set in very unusual circumstances – is inspired by the refugee crisis, in which Macedonia played the unfortunate role of a transit country.
ペトルーニャに祝福を
Production Design
男性しか参加できない伝統儀式に紛れ込んで“幸せの十字架”を手にしたために糾弾されたヒロインが、女性というだけで様々な不利益を受けてきた理不尽な世の中に不満を爆発させ、幸せを求めて孤独な闘いを繰り広げるさまをユーモアを織り交ぜて描いた社会派ドラマ。主演はゾリツァ・ヌシェヴァ。監督はマケドニア出身の女性監督テオナ・ストゥルガル・ミテフスカ。  北マケドニアの小さな街に暮らすペトルーニャは32歳の...
Alerik
Director
Alerik, a dreamy 16-year-old boy, lives with his grandfather in a country that is at war. When the old man is killed in a bomb attack, Alerik becomes obsessed by the wish to take revenge. From now on, the war has him firmly in its clutches.
The Woman Who Brushed Off Her Tears
Production Design
After her son's tragic death, Helena abducts her employee, Lucian, and travels with him and her husband to scatter her son's ashes in Macedonia. Meanwhile, Lucian's lover struggles to provide for their son and break free from her dictatorial father.
I am from Titov Veles
Production Design
Burdened by memories of their late father, three sisters struggle to escape the suffocating environment of the dying town of Veles. A contemporary story of urban decay, „Jas sum od Titov Veles“ employs a stark realism to depict the vivid landscape of post-Communist Macedonia.
How I Killed a Saint
Animation
A promising debut feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.
How I Killed a Saint
Editor
A promising debut feature tells the story of a young woman returning from America to discover the realities of life in Macedonia, that looks as if it will explode with all the soldiers, corrupt crooks and terrorist idealists.