Self
Vocals
The 11-year old Jakub is living in a children's home, when he is picked up by his father. The father has been "away" for four years, the boys mother doesn't want the child. Jakub gradually finds out, that his father is hiding a secret from him. But they gradually manage to build a warm relationship and a promising new life in the city.
It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.
Handmaid-Madame (uncredited)
チェコ・シュルレアリスムグループの創始者である詩人ビーチェスラフ・ネズバルの小説「少女バレリエと不思議な一週間」を、チェコ・ヌーベルバーグの映画作家ヤロミール・イレッシュが映画化し、ゴシックロリータ映画の最高峰として現在に至るまでカルト的人気を集め続ける1969年製作の異色ファンタジー。厳格な祖母と2人きりで暮らす美少女バレリエ。ある日、村にやって来た旅一座の中に不気味な怪物を見た彼女は、奇妙な悪夢に悩まされるように。それ以来、バレリエの周囲で不思議な出来事が次々と起こりはじめる。
Vocals
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.
zpěvačka
It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.
Mary
