Self
Vocals
The 11-year old Jakub is living in a children's home, when he is picked up by his father. The father has been "away" for four years, the boys mother doesn't want the child. Jakub gradually finds out, that his father is hiding a secret from him. But they gradually manage to build a warm relationship and a promising new life in the city.
It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.
Handmaid-Madame (uncredited)
Valerie acaba de deixar a infância e, mergulhada em seu sombrio mundo de fantasia, inicia as descobertas da vida sexual dos adultos. Na verdade é duro explicar esse belo filme tcheco. Um filme de arte surreal e carregado de simbolismos que podem ter interpretações diferentes dependendo de quem assiste. Valerie vive em um mundo de bruxas e vampiros, e carrega para ele as pessoas de sua vida real. O difícil é distinguir o que é real do imaginado no mundo de Valerie, onde ela pinta tudo a sua volta com suas próprias cores.
Vocals
Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.
zpěvačka
It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.
Mary
