Director of Photography
エルサレムの老人ホームに楽しく暮らすヨヘスケルはオリジナリティあるアイディアで、みんなの生活を少しだけ楽にするような発明が趣味。
ある日、彼は望まぬ延命治療に苦しむ親友マックスから、彼の発明で安らかに死なせてほしいと頼まれ、自らスイッチを押して最期を選ぶ装置を発明する。
彼は最愛の妻レバーナの反対を押し切り、同じホームのダニエル、ラフィらも巻き込んで計画を準備。マックスは妻ヤナに看取られ自ら安らかに旅立っていった。
しかし、秘密だったはずのその発明の評判は瞬く間に広がり、彼らのもとに依頼が殺到してしまい――! ?
病人とその妻・夫たちの切実な想いに心が揺らぐヨヘスケル。そんななか、レバーナの認知症はすこしずつ進行していた――。
Director of Photography
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Cinematography
Israeli short films mini-series.
Director of Photography
From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.
