Áron Molnár

Historical movie on the life of András Hadik

Biopoic of actor Győző Szabó's younger years struggling with his drug addiction.

In a world where childbirth is state-regulated, a couple applies for a license to have a child. They pass the first round of the process, but have no idea what awaits them in the second round.

Gergő’s mother is obsessed with having a grandchild. She has a serious heart disease and has only days left to live. To give his mum some joy during her final hours, Gergő asks his neighbour Saci, who is five months pregnant, to visit his mother in hospital with him and tell her that she is carrying his child. It all goes smoothly, but a new heart arrives, and his mum is operated. Therefore, Gergő and Saci are forced to play the roles of the loving couple.

The story focuses on people who suffer from different kinds of disabilities, but they also live whole lifes, they are people who just want to lead a normal life, to work and to prevail.

To inherit the fortune he made in his previous life a man must become his previous incarnation again.

Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade? Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter? Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was.

Between 1993 and 1999, one man robbed 29 financial institutions in Budapest. Banks, post offices and even travel agencies fell victim to his crime spree. The police had no leads and no hope of finding him during his six-year stint. The only clue left behind at the crime scenes was the distinct aroma of whiskey. The media christened him the “Whiskey Bandit”. Never physically harming anyone, many began to eagerly follow his escapades through the media. A Transylvanian immigrant, who also happened to be a goalie for one of the city's largest hockey teams, named Attila Ambrus, was finally identified as the “Whiskey Bandit”. The police had finally captured him... or so they thought.

An ambitious psychiatrist is researching a strange and unique mental state: hypermnesia, first of all because he would like to help his amnesic father. When he finds a patient with hypermnesia, he decides to take him out of the mental hospital at his own risk and study him. An unusual relationship is formed between the two men, which starts to endanger the doctor's career, his marriage and even the patient himself.

Andor Czettl, in his early sixties, visits the secret service archives one day to read into the reports about himself and discovers a shocking fact. His very best friend János Pásztor was an informer, spying on him and writing reports about him for decades. Sára Cserhalmi's first feature focuses not so much on the actual problem of informing and betrayal as on the contradictory relationship of the two protagonists. It avoids any final judgments. First and foremost, it seeks answers to questions like how an informer can live in our present times and how the one being reported on can cope with this state. Can a close friendship that began decades ago last if such betrayal comes to light? How can someone live and cope with this fact?