Norma Giacchero

Ferruccio Castronuovo was the only authorized eye, between 1976 and 1986, to film the brilliant Italian filmmaker Federico Fellini (1920-1993) in his personal and creative intimacy, to capture the gears of his great circus, his fantastic lies and his crazy inventions.

A parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. Odd couple Ivo Salvini, recently released from a mental asylum, and former prefect Gonnella wander through the countryside and discover a dystopia made of television commercials, beauty pageants, rock music, Catholicism, and pagan rituals.

Federico Fellini welcomes us into his world of film making with a mockumentary about his life in film, as a Japanese film crew follows him around.

Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.

In 1914, a cruise ship sets sail from Naples to spread the ashes of beloved opera singer Edmea Tetua near Erimo, the isle of her birth. During the voyage, the eclectic array of passengers discovers a group of Serbian refugees aboard the vessel. Peace and camaraderie abound until the ship is descended upon by an Austrian flagship. The Serbians are forced to board it, but naturally they resist, igniting a skirmish that ends in destruction.

A businessman finds himself trapped at a hotel and threatened by women en masse.

Orchestra Rehearsal (Italian: Prova d'orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota's death in 1979.

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

フェリーニは幼いときに見たサーカスに魅了され、道化師たちの本場イタリアとフランスを旅してまわる。しかし、かつてあんなに輝いていた道化師たちはすっかり時代に取り残され過去のものになっていた。フェリーニは道化師たちのために最後の大舞台を用意するのだった。

After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so. Now wandering around Rome in the time of Nero, Encolpio encounters one bizarre and surreal scene after another.

Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.

エドガー・アラン・ポーの原作を三部作として、ロジェ・ヴァディム、ルイ・マル、フェデリコ・フェリーニといった監督がそれぞれの個性とスタイル生かして作ったオムニバス映画。