Enrique Dumont

2005年、アルゼンチンの都市。変わり者の男性フェルナンドはある銀行の下に広い下水道が通っていることに気付き、そこからトンネルを掘って銀行に侵入できないかと考える。銀行の貸金庫に大量の現金が預けられていると聞いたフェルナンドは、何度か逮捕された元泥棒のマリオや友人マルシアーノなど仲間5人を集め、銀行襲撃計画を少しずつ準備。そして翌年1月、6人が計画を実行すると銀行はたちまち警察に包囲されるが……。

In the revolted 70's in Argentina, teenage Graciela is an artist and a poet. She and Julio, a charismatic student leader, are brought together by their ideals for social justice. Her poems reach young musician Flecha, who dreams of singing them for a roaring crowd. As the times grow harder and more dangerous, friends are persecuted, Graciela and Julio protect each other, but the dictatorship kidnaps them. Graciela's mother desperate search for her daughter brings her together with the Mothers of the Plaza de Mayo, who's relentless clamor for their missing children is only met with more terror and death from the bloody dictatorship. 35 years later, that mother publishes a book of Graciela's poems, and brings it to Flecha, now an accomplished musician. He turns them into songs that let her words live and fly.

The solitary life of Santos, a hermit and mysterious fisherman, is altered when three young men arrive to open a hostel near his beach. In an apparent calm, everything is getting complicated. They wait, calculate and all arrive at the appointment of a duel in which everything can fly through the air.

Regina and Fernanda are the owners of a family hotel in the province of Buenos Aires that has lost the splendor of other times. Submerged in bankruptcy are by chance with a significant sum of money brought by a mysterious guest.

City of Rosario. After three decades in prison together in the same cell, Tito and Castor are released. Outside the youth's friends await, as well as mines, tango, nights of drunkenness and a suitcase full of money hidden in the Parana River. They will try to seize the time and live every second trying to retrieve each of those thirty years behind bars. And when things become complicated they will cover each other as they always did.

A young doctor recently received must face the difficulties of his profession in a public hospital, proposing to make true the axiom learned in the faculty "you can not always be cured, but you must know how to care."