Enrique Dumont

페르난도는 부에노스 아이레스 북쪽 부촌 아카수소의 은행을 털기로 작정한다. 왕년의 절도범 루이스는 페르난도의 계획에 시큰둥하지만 그의 치밀한 계획에 사로잡혀 인생을 건 마지막 은행강도에 동참한다. 다섯명의 무장강도단은 은행을 습격하고, 곧 경찰 특수부대와 인질협상가가 뛰어들지만 진압은 쉽지가 않다. 그리고 마침내 경찰이 은행에 진입한 순간, 그들을 기다리고 있던 것은 또 다른 반전이었다.

In the revolted 70's in Argentina, teenage Graciela is an artist and a poet. She and Julio, a charismatic student leader, are brought together by their ideals for social justice. Her poems reach young musician Flecha, who dreams of singing them for a roaring crowd. As the times grow harder and more dangerous, friends are persecuted, Graciela and Julio protect each other, but the dictatorship kidnaps them. Graciela's mother desperate search for her daughter brings her together with the Mothers of the Plaza de Mayo, who's relentless clamor for their missing children is only met with more terror and death from the bloody dictatorship. 35 years later, that mother publishes a book of Graciela's poems, and brings it to Flecha, now an accomplished musician. He turns them into songs that let her words live and fly.

The solitary life of Santos, a hermit and mysterious fisherman, is altered when three young men arrive to open a hostel near his beach. In an apparent calm, everything is getting complicated. They wait, calculate and all arrive at the appointment of a duel in which everything can fly through the air.

Regina and Fernanda are the owners of a family hotel in the province of Buenos Aires that has lost the splendor of other times. Submerged in bankruptcy are by chance with a significant sum of money brought by a mysterious guest.

City of Rosario. After three decades in prison together in the same cell, Tito and Castor are released. Outside the youth's friends await, as well as mines, tango, nights of drunkenness and a suitcase full of money hidden in the Parana River. They will try to seize the time and live every second trying to retrieve each of those thirty years behind bars. And when things become complicated they will cover each other as they always did.

A young doctor recently received must face the difficulties of his profession in a public hospital, proposing to make true the axiom learned in the faculty "you can not always be cured, but you must know how to care."