Still Photographer
フランス映画界の名匠フランソワ・オゾンが、若かりし日に読み影響を受けたというエイダン・チェンバーズの小説「おれの墓で踊れ」を映画化し、16歳と18歳の少年の人生を変えた、ひと夏の初恋を描く。セーリングを楽しもうとヨットで沖に出た16歳のアレックスは突然の嵐に見舞われ転覆し、18歳のダヴィドに救出される。2人は友情を深め、それはやがて恋愛感情へと発展し、アレックスにとっては、それは初めての恋となった。そんな2人は、ダヴィドの提案で「どちらかが先に死んだら、残された方はその墓の上で踊る」という誓いを立てるが、ダヴィドの不慮の事故により、2人の時間は終わりを迎える。生きる希望を失ったアレックスを突き動かしたのは、ダヴィドとあの夜に交わした誓いだった。主演は、オゾン監督がオーディションで見いだしたフェリックス・ルフェーブルとバンジャマン・ボワザン。第73回カンヌ国際映画祭オフィシャルセレクション選出作品。
Still Photographer
In the aftermath of WWI, a young German who grieves the death of her fiancé in France meets a mysterious French man who visits the fiance’s grave to lay flowers.
Self
On 6 December 2013, a public exhibition dedicated to her memory, Bernadette Lafont l'exposition hommage, was held in Paris. Actors Stéphane Audran, Guillaume Gouix and Alexandra Stewart read some extracts of Bernard Bastide's new biography Bernadette Lafont, une vie de cinéma, including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of Carnets filmés, In Memoriam Bernadette Lafont.
Self
Music Supervisor
A cinematographic logbook around the mythical island of Alicudi in Sicily.
Music Supervisor
A cinematographic logbook around the mythical island of Alicudi in Sicily.
Music Supervisor
A cinematographic logbook around the mythical island of Alicudi in Sicily.
Himself
"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).
Self (archive footage)
Still Photographer
A film about an ongoing cinematic adventure that began in 1978: a vast anthology of personality portraits called Cinématons, dealing with people in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to answer these questions: Why film everyone? Why choose cultural personalities? How do the subjects look at their image? How much exhibitionism and narcissism is involved in being filmed?
Still Photographer
Additional Photography
N°11
Reel 2 of Gérard Courant's on-going Cinematon series.
