Still Photographer
Nos anos 80, um verão na Normandia marca o começo da idade adulta para Aléxis, que tem no melhor amigo o primeiro contato com o amor e, quando este não é correspondido, o destino pode se mostrar imprevisível.
Still Photographer
Anna todos os dias aparece para visitar e rezar sobre o túmulo de seu noivo Frantz, que morreu na França. Um dia, Adrien, um jovem e misterioso francês, também aparece por lá e sua presença irá provocar reações imprevisíveis.
Self
On 6 December 2013, a public exhibition dedicated to her memory, Bernadette Lafont l'exposition hommage, was held in Paris. Actors Stéphane Audran, Guillaume Gouix and Alexandra Stewart read some extracts of Bernard Bastide's new biography Bernadette Lafont, une vie de cinéma, including some original letters written by Bernadette. The event was filmed by Gérard Courant and aired as an episode of Carnets filmés, In Memoriam Bernadette Lafont.
Self
Music Supervisor
A cinematographic logbook around the mythical island of Alicudi in Sicily.
Music Supervisor
A cinematographic logbook around the mythical island of Alicudi in Sicily.
Music Supervisor
A cinematographic logbook around the mythical island of Alicudi in Sicily.
Himself
"On the occasion of the premiere of Nel Regno di Napoli in Cannes in 1978, Werner Schroeter gave me an audio interview about this film and about his work in general. Our meeting took place on the terrace of the Hotel Majestic, in the midst of excitement of the Cannes festival life, a few days after the screening of Nel Regno di Napoli and in the presence of the photographer Jean-Claude Moireau. Vivre à Naples et mourir is the audio capture of that informal meeting that happened on 20 May 1978 and which is, as per director's wish, more like a casual conversation than an interview in the strict sense of the term (a set of questions and answers).
Self (archive footage)
Still Photographer
A film about an ongoing cinematic adventure that began in 1978: a vast anthology of personality portraits called Cinématons, dealing with people in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to answer these questions: Why film everyone? Why choose cultural personalities? How do the subjects look at their image? How much exhibitionism and narcissism is involved in being filmed?
Still Photographer
Additional Photography
N°11
Reel 2 of Gérard Courant's on-going Cinematon series.
