Producer
The former French colonies in Central and West Africa have been independent since 1960, but most of these countries still use the currency of the former oppressor: the CFA franc. It was linked to the French franc when it was introduced, so the national bank in Paris controlled monetary policy. Now the currency has a fixed exchange rate with the euro. The link with the European currency strongly influences the monetary policy of CFA countries. And that means the value of the CFA franc is defined by political decisions taken elsewhere, rather than by the domestic economy.
Co-Producer
A man returns to his home in the Colombian countryside after a long fishing night and discovers that paramilitary forces have killed his two sons and thrown their bodies into the river.
Co-Producer
Eight women, Arab and Jewish, take part in a video workshop hosted by Rona, young filmmaker. With each camera take, the group dynamic forces the women to challenge their beliefs as they get to know one other.
Producer
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.
Story
The Mercy of the Jungle is a road movie that deals with wars in Congo through the eyes of two lost soldiers in the jungle by showcasing their struggle, weakness and hope.
Producer
The Mercy of the Jungle is a road movie that deals with wars in Congo through the eyes of two lost soldiers in the jungle by showcasing their struggle, weakness and hope.
Producer
A rugby stadium in southwestern France. Each and every Sunday, bodies collide. Along the sidelines, Louis and his juniors comrades are fascinated by the feats of the senior team.
Co-Producer
Producer
Producer
Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.
Producer
« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.
