Aurelien Bodinaux

The former French colonies in Central and West Africa have been independent since 1960, but most of these countries still use the currency of the former oppressor: the CFA franc. It was linked to the French franc when it was introduced, so the national bank in Paris controlled monetary policy. Now the currency has a fixed exchange rate with the euro. The link with the European currency strongly influences the monetary policy of CFA countries. And that means the value of the CFA franc is defined by political decisions taken elsewhere, rather than by the domestic economy.

어부 호세는 밤새 낚시를 마치고 정글 깊숙이 자리한 집으로 돌아온다. 그를 맞은 것은 넋이 나간 딸과, 사라진 두 아들. 용병 부대가 참혹하게 아들을 살해하고 강물에 시체를 버린 것이다. 늙은 아비는 두 아들의 영혼이 구천을 떠돌지 않도록, 제대로 장례를 치러주고자 강물을 거슬러 오르는 외로운 여행을 떠난다. 예기치 못한 여정에서 그는 무수한 사람들을 만나게 된다. 일부는 그의 불행을 동정하지만, 대부분은 보복이 있을까 두려워 그에게 등을 돌리고, 몇몇은 어리석다며 오히려 비웃기까지 한다.

Eight women, Arab and Jewish, take part in a video workshop hosted by Rona, young filmmaker. With each camera take, the group dynamic forces the women to challenge their beliefs as they get to know one other.

For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.

The Mercy of the Jungle is a road movie that deals with wars in Congo through the eyes of two lost soldiers in the jungle by showcasing their struggle, weakness and hope.

The Mercy of the Jungle is a road movie that deals with wars in Congo through the eyes of two lost soldiers in the jungle by showcasing their struggle, weakness and hope.

A rugby stadium in southwestern France. Each and every Sunday, bodies collide. Along the sidelines, Louis and his juniors comrades are fascinated by the feats of the senior team.

Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.

« Traces, women's imprints » is a film that ventures to the discovery of three grandmothers kassenas (Burkina Faso,) their granddaughter, and the exclusively feminine art of this region's mural paintings. Between these women's portraits and a traditional art form, « Traces » is a painting on paintings that reflects upon transmission, education and memory in the context of a world in mutation.