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Roly Santos

Roly Santos

出生 : , Argentine

略歴

Roly Santos is an Argentinean filmmaker graduated from CERC-ENERC (National Cinematographic School) and sociologist from UBA (Buenos Aires University). He shot in a lot of countries around the world. Makes his directorial debut with "How Silly we are grown up" a fiction feature (2000-Official Selection San Sebastian, IFF La Havana and IFF Figueira Foz). He was involved as producer and director in episodes films documentaries such as"Crisol" (Argentina 2011, 8 chapters x 28'), "Hi India" (India 2015, 5 chapters x 26'), "New Dubliners" (Ireland 2016, 5 chapters x 26') . He has got a "Mention" in IFF La Havana (Cuba) and "Best Director" and "Best Edition" awards for "Hands Together" (documentary feature) in Figueira Film Art (Portugal 2015). With Italian partners made "Caffè Sospeso" (feature documentary released by Netflix in 2018). Produced and Directed "Dedalo" Fiction film episodes (8 chapters x26'), and 2019 a fiction feature "Water Pigs", in co-production between Argentina and Brazil. Roly Santos, as a sociologist he taught about "labor rights" and "intellectual property rights" for technicians, directors, actors and musicians of the film industry worldwide. Author is also a member of "DAC" Argentine Directors, Argentores (scriptwriters) and 100autori (Italy).-

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Roly Santos

参加作品

Águas Selvagens

Águas Selvagens

Director

Agua dos porcos

Agua dos porcos

Director

Gualtieri is an apathetic ex-cop, fighting himself, almost nothing excites him. That is why he accepts an easy job in the jungle of the triple border. Investigating how and why a person was killed becomes the key to revealing other truths that should be buried under the wet red soil of the place.

Camera Operator

Just as "the fluttering of the wings of a butterfly can be felt on the other side of the world" (according to the Chinese proverb) a coffee offered in Naples can be felt in Buenos Aires and replicated in New York. In the bars of threedifferent cities ofthe world, the camera will record the "first flutter" of a coffee cup offered to a customer.

Director

Just as "the fluttering of the wings of a butterfly can be felt on the other side of the world" (according to the Chinese proverb) a coffee offered in Naples can be felt in Buenos Aires and replicated in New York. In the bars of threedifferent cities ofthe world, the camera will record the "first flutter" of a coffee cup offered to a customer.

Writer

Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.

Camera Operator

Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.

Director

Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.

How silly are to grow up

How silly are to grow up

Director

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.

Gombrowicz or seduction (Represented by his disciples)

Gombrowicz or seduction (Represented by his disciples)

Editor

Gombrowicz or seduction rebuilds, from the margins of the official film, the figure of Witold Gombrowicz. Peripheral par excellence, at the end of the 30's the renowned author of Ferdydurke and transatlantic came to stop the Argentina and stayed here for thirty years. Inevitably fragmentary, given the personality on the run of the own Gombrowicz (and the own Fischerman, In short)