Roly Santos

Roly Santos

출생 : , Argentine

약력

Roly Santos is an Argentinean filmmaker graduated from CERC-ENERC (National Cinematographic School) and sociologist from UBA (Buenos Aires University). He shot in a lot of countries around the world. Makes his directorial debut with "How Silly we are grown up" a fiction feature (2000-Official Selection San Sebastian, IFF La Havana and IFF Figueira Foz). He was involved as producer and director in episodes films documentaries such as"Crisol" (Argentina 2011, 8 chapters x 28'), "Hi India" (India 2015, 5 chapters x 26'), "New Dubliners" (Ireland 2016, 5 chapters x 26') . He has got a "Mention" in IFF La Havana (Cuba) and "Best Director" and "Best Edition" awards for "Hands Together" (documentary feature) in Figueira Film Art (Portugal 2015). With Italian partners made "Caffè Sospeso" (feature documentary released by Netflix in 2018). Produced and Directed "Dedalo" Fiction film episodes (8 chapters x26'), and 2019 a fiction feature "Water Pigs", in co-production between Argentina and Brazil. Roly Santos, as a sociologist he taught about "labor rights" and "intellectual property rights" for technicians, directors, actors and musicians of the film industry worldwide. Author is also a member of "DAC" Argentine Directors, Argentores (scriptwriters) and 100autori (Italy).-

프로필 사진

Roly Santos

참여 작품

Águas Selvagens
Águas Selvagens
Director
Agua dos porcos
Agua dos porcos
Director
Gualtieri is an apathetic ex-cop, fighting himself, almost nothing excites him. That is why he accepts an easy job in the jungle of the triple border. Investigating how and why a person was killed becomes the key to revealing other truths that should be buried under the wet red soil of the place.
카페 소스페소: 모두를 위한 커피
카페 소스페소: 모두를 위한 커피
Camera Operator
커피 한 잔 나눌까요? 누군가 맡겨둔 커피를 통해 삶이 바뀌고 자유를 찾는 사람들. 나폴리를 출항해 뉴욕과 부에노스아이레스까지, 마법 같은 커피 향이 퍼져 나간다.
카페 소스페소: 모두를 위한 커피
카페 소스페소: 모두를 위한 커피
Director
커피 한 잔 나눌까요? 누군가 맡겨둔 커피를 통해 삶이 바뀌고 자유를 찾는 사람들. 나폴리를 출항해 뉴욕과 부에노스아이레스까지, 마법 같은 커피 향이 퍼져 나간다.
Hands together
Hands together
Writer
Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.
Hands together
Hands together
Camera Operator
Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.
Hands together
Hands together
Director
Full-length documentary about the mystery of the hands of Che Guevara, Victor Jara and Juan Peron. What happened, what is hidden, what is known, what is unknown, and what about it’s the symbolic effects.
How silly are to grow up
How silly are to grow up
Director
Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.
Gombrowicz or seduction (Represented by his disciples)
Gombrowicz or seduction (Represented by his disciples)
Editor
Gombrowicz or seduction rebuilds, from the margins of the official film, the figure of Witold Gombrowicz. Peripheral par excellence, at the end of the 30's the renowned author of Ferdydurke and transatlantic came to stop the Argentina and stayed here for thirty years. Inevitably fragmentary, given the personality on the run of the own Gombrowicz (and the own Fischerman, In short)