Lucianna De Falco

The story of the De Filippo brothers, children of Eduardo Scarpetta.

Three brothers pretend they're ghost hunters to inherit from their father.

The lives of the tenants of a lower-class apartment building in the outskirts intersect on a backdrop of crime, drug dealing, confused feelings and tainted relationships, in a lucid portrait of contemporary Rome. Marcello, a bisexual former body builder married with Chiara, has an affair with the bourgeois professor Walter; the ambitious Mauro and cold-blooded dealer and his wife Simona get involved in the ambiguous business of the local boss Carmine to move up to the elegant and cruel circles of central Rome that profit from the public funds for the disadvantaged; Valeria and her son Attilio, Flaminia and her violent husband Bruno face the daily difficulties of their troubled lives. The corrupted powers of urban speculation invade a suspended corner of the suburbs, contaminating the lives of a group of lost souls,revealing the desperate world of the slum and the pitiless scene of the city center as the hidden face of the same coin.

A Camorra boss fakes his own death in order to start a new life elsewhere with his family, but a nurse happens to see him alive and well after the funeral. A hitman is promptly sent to get rid of her, only to find out that she's his first and unforgotten love. He decides to protect her, becoming himself a target.

On board a train on its last trip, five people know each other, collide, make friends and solve their personal issues finding out what's really important in life.

Convict Umberto is allowed to work outside prison during daytime as a librarian. There he falls for a beautiful woman who mistakes him for a volunteer helping the inmates — however, like a modern-day Cinderella, every day he must leave and be back to his cell before midnight... will they manage to live happily ever after?

Four different comedic episodes, framed by the story of a Zen master and his two helpless disciples.

1957. ANNA MAGNANI is in America, invited to the ceremony of awarding the Oscars, and BETTE DAVIS does not miss the opportunity to meet her and invite her to her home for tea. With the help of an interpreter the two actresses exchange compliments and Davis, who is in possession of some films they have interpreted, proposes to Magnani to look at them together. The evening, however, will take an unexpected turn ... ANNA MAGNANI and BETTE DAVIS, they really met and exchanged confidant letters for years. Their meeting is the starting point for LA GRANDE MENZOGNA, to then become a bittersweet comedy about the life of the anomalous and “difficult” artists, shot partly in color and partly in black and white, in a perfect quote from the photography of the years films '50.

Overburdened and stuck in a greying marriage, Giovanna takes to caring for a Jewish Holocaust survivor her husband brings home. As she begins to reflect on her life, she turns to the man who lives across from her.

In a family of full-blooded Neapolitans, tragedy strikes: a girl is born speaking and acting like a northerner!

Eight episodes vaguely inspired to real events. The "fil rouge" is the relationship between the Italians and sex in the first years of 2000s. From prostitution to virtual sex all the categories are represented in a funny way that anyway tries to investigate this kind of reality.

Claudia is your typical thirtysomething urban woman going through a life crisis. She is a hypochondriac with a stressful job and a boring partner. Her unlikely saviour is none other than her mother, a former hippie who gives her an amulet that belonged to her great-grandmother.

Imma falls in love with a fireman.

This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, from B&W to color, trough all the genders (musical, Lyric, politic...). Beside it we have a kind of resume of the historic contest in which cinema lived till now, events and movements (neo-realism, classical etc.). All the aspects are taken in consideration: fashion, star system till the end, the sad end, of cinema in the theaters.

Matriarch Adele's death prompts an unexpected and often incendiary reunion for the large Gori family – unaware that inside her coffin lie also the stolen goods of a robbery by her son Danilo.

In this stylish and offbeat black comedy, Benito ( Jerry Calà) keeps a diary of his sexual fantasies and cravings. As a result of his on-again, off-again relationship with the beautiful and insatiable Luigia (Sabrina Ferilli), his thoughts along these lines have grown increasingly bizarre. For his own part, he is driven to pick up and bed women at almost every opportunity. As the fantasies recorded in his diary consume more and more of his life, and grow darker and darker, his ordinary waking life becomes flatter and duller, until he disappears altogether.

Rosa, a mature mother of several children, is concerned that her beloved husband Don Peppino is losing interest in her, and does his best to provoke some jealousy in him. She is a masterful cook, and if her romantic charms are fading, her culinary skills are not. By one means and another, and after some amusing confrontations, she succeeds in keeping her husband from taking her for granted and harmony is restored.