Lucianna De Falco

The story of the De Filippo brothers, children of Eduardo Scarpetta.

Three brothers pretend they're ghost hunters to inherit from their father.

The lives of the tenants of a lower-class apartment building in the outskirts intersect on a backdrop of crime, drug dealing, confused feelings and tainted relationships, in a lucid portrait of contemporary Rome. Marcello, a bisexual former body builder married with Chiara, has an affair with the bourgeois professor Walter; the ambitious Mauro and cold-blooded dealer and his wife Simona get involved in the ambiguous business of the local boss Carmine to move up to the elegant and cruel circles of central Rome that profit from the public funds for the disadvantaged; Valeria and her son Attilio, Flaminia and her violent husband Bruno face the daily difficulties of their troubled lives. The corrupted powers of urban speculation invade a suspended corner of the suburbs, contaminating the lives of a group of lost souls,revealing the desperate world of the slum and the pitiless scene of the city center as the hidden face of the same coin.

나폴리를 배경으로 한 뮤지컬 갱스터 코미디. ‘수산물의 왕’ 돈 빈첸조의 장례식이 거행되던 중 관 속의 시체가 자신은 돈 빈첸조가 아니라고 노래하며 영화는 5일 전으로 거슬러 올라간다. 암살 위협은 받은 돈 빈첸조와 그의 아내 돈나 마리아가 가짜 장례식을 꾸미기로 한 가운데, 이들을 위해 일하는 킬러 치로는 한 여자를 죽이라는 임무를 받는다. 2017 베니스국제영화제 경쟁부문 상영.

On board a train on its last trip, five people know each other, collide, make friends and solve their personal issues finding out what's really important in life.

Convict Umberto is allowed to work outside prison during daytime as a librarian. There he falls for a beautiful woman who mistakes him for a volunteer helping the inmates — however, like a modern-day Cinderella, every day he must leave and be back to his cell before midnight... will they manage to live happily ever after?

Four different comedic episodes, framed by the story of a Zen master and his two helpless disciples.

1957. ANNA MAGNANI is in America, invited to the ceremony of awarding the Oscars, and BETTE DAVIS does not miss the opportunity to meet her and invite her to her home for tea. With the help of an interpreter the two actresses exchange compliments and Davis, who is in possession of some films they have interpreted, proposes to Magnani to look at them together. The evening, however, will take an unexpected turn ... ANNA MAGNANI and BETTE DAVIS, they really met and exchanged confidant letters for years. Their meeting is the starting point for LA GRANDE MENZOGNA, to then become a bittersweet comedy about the life of the anomalous and “difficult” artists, shot partly in color and partly in black and white, in a perfect quote from the photography of the years films '50.

지오반나의 인생에는 두 명의 남자가 있다 고단한 결혼생활을 보내고 있는 지오반나에게는 비밀이 하나 있다. 창문 너머, 맞은편 집의 남자를 향해 품고있는 은밀한 감정이 바로 그것. 남편과 두 아이를 재우고 매일밤 그녀는 자신과는 정반대의 삶을 살고 있는 멋진 그를 바라보며 하루를 살아갈 힘을 얻는다. 우연은 만남을, 만남은 인생을 바꾸어 버리는데… 어느 날, 남편은 길을 잃어버린 노인을 집에 데려온다. 기억하는 것은 시모네란 이름뿐인 노인은 지오반나의 고단한 인생에 새로 생긴 짐일 뿐이다. 하지만 노인의 실종이라는 우연한 기회로 지오반나는 바라만 보던 맞은편 집 남자와 이야기를 나누게 되고, 로렌조라는 이름의 그 남자 역시 자신을 바라보고 있었다고 털어놓는데…

In a family of full-blooded Neapolitans, tragedy strikes: a girl is born speaking and acting like a northerner!

Eight episodes vaguely inspired to real events. The "fil rouge" is the relationship between the Italians and sex in the first years of 2000s. From prostitution to virtual sex all the categories are represented in a funny way that anyway tries to investigate this kind of reality.

Claudia is your typical thirtysomething urban woman going through a life crisis. She is a hypochondriac with a stressful job and a boring partner. Her unlikely saviour is none other than her mother, a former hippie who gives her an amulet that belonged to her great-grandmother.

Imma falls in love with a fireman.

This documentary celebrates the 100th anniversary of the cinema birth. It is an historic running through the technical and artistic evolution of the 7th art. We move from mute to sound, from B&W to color, trough all the genders (musical, Lyric, politic...). Beside it we have a kind of resume of the historic contest in which cinema lived till now, events and movements (neo-realism, classical etc.). All the aspects are taken in consideration: fashion, star system till the end, the sad end, of cinema in the theaters.

Matriarch Adele's death prompts an unexpected and often incendiary reunion for the large Gori family – unaware that inside her coffin lie also the stolen goods of a robbery by her son Danilo.

In this stylish and offbeat black comedy, Benito ( Jerry Calà) keeps a diary of his sexual fantasies and cravings. As a result of his on-again, off-again relationship with the beautiful and insatiable Luigia (Sabrina Ferilli), his thoughts along these lines have grown increasingly bizarre. For his own part, he is driven to pick up and bed women at almost every opportunity. As the fantasies recorded in his diary consume more and more of his life, and grow darker and darker, his ordinary waking life becomes flatter and duller, until he disappears altogether.

Rosa, a mature mother of several children, is concerned that her beloved husband Don Peppino is losing interest in her, and does his best to provoke some jealousy in him. She is a masterful cook, and if her romantic charms are fading, her culinary skills are not. By one means and another, and after some amusing confrontations, she succeeds in keeping her husband from taking her for granted and harmony is restored.