Producer
On the face of it, they’re just another family moving to the wide open spaces of the Big Sky Country for a tree change. But for teenage Imogen Day and her parents Samantha and Will, the move to Montana is an escape from quite a unique kind of bullying. Desperate to make a new life for herself, Imogen must overcome new tormentors, old secrets, and a strange presence in the attic.
Jason Adair
On the face of it, they’re just another family moving to the wide open spaces of the Big Sky Country for a tree change. But for teenage Imogen Day and her parents Samantha and Will, the move to Montana is an escape from quite a unique kind of bullying. Desperate to make a new life for herself, Imogen must overcome new tormentors, old secrets, and a strange presence in the attic.
Ney
完ぺきな仕事ぶりから“メカニック”と呼ばれる殺し屋のアーサー・ビショップに、友人であり恩人の暗殺命令が下る。とまどいつつも任務を遂行したアーサーは、自分が殺した標的の息子スティーブと知り合う。やがてアーサーはスティーブを助手に迎え、殺しのテクニックをたたき込んでいく。
Nathaniel
Man-eating body doubles and predatory party girls stalk the suburban streets of Melbourne in three taboo-defying tales dredged from the heads of Australian creative team Pleasant Productions. The collection opens with the traumatic story of an elderly lady who picks the wrong party to crash, moves to a fantasia about a practical joker and his disturbed doppelganger, and ties it all up with the tale of a guy looking for love at the Snuff Machine.
Mason
In an all-boys boarding school in the 1950s, Agosto stands in the field, painfully taking part in a game of lunch-time cricket. He is detached from his surroundings unlike his friend Hector, who seems to revel in the attention of his classmates.
