Producer
On the face of it, they’re just another family moving to the wide open spaces of the Big Sky Country for a tree change. But for teenage Imogen Day and her parents Samantha and Will, the move to Montana is an escape from quite a unique kind of bullying. Desperate to make a new life for herself, Imogen must overcome new tormentors, old secrets, and a strange presence in the attic.
Jason Adair
On the face of it, they’re just another family moving to the wide open spaces of the Big Sky Country for a tree change. But for teenage Imogen Day and her parents Samantha and Will, the move to Montana is an escape from quite a unique kind of bullying. Desperate to make a new life for herself, Imogen must overcome new tormentors, old secrets, and a strange presence in the attic.
Ney
아서 비숍(제이슨 스태덤)은 미국 정부의 의뢰를 받고 기술자(메카닉)로 불릴 정도로 목표물을 완벽하게 제거하는 최고의 킬러이다. 어느 날 그의 멘토이자 친한 친구인 해리(도널드 서덜랜드)가 살해되는 사건이 발생하자 그의 아들 스티븐(벤 포스터)이 아서를 찾아와 아버지에 대한 복수를 하겠다며 그에게 최고의 암살 기술을 가르켜 달라고한다. 그렇게 한 팀이 되어 사건을 해결하고 우정을 쌓아 나가지만 죽여야 할 대상이 적이 아닌 자신들이 되면서 알수 없는 위험에 빠지는데…
Nathaniel
Man-eating body doubles and predatory party girls stalk the suburban streets of Melbourne in three taboo-defying tales dredged from the heads of Australian creative team Pleasant Productions. The collection opens with the traumatic story of an elderly lady who picks the wrong party to crash, moves to a fantasia about a practical joker and his disturbed doppelganger, and ties it all up with the tale of a guy looking for love at the Snuff Machine.
Mason
In an all-boys boarding school in the 1950s, Agosto stands in the field, painfully taking part in a game of lunch-time cricket. He is detached from his surroundings unlike his friend Hector, who seems to revel in the attention of his classmates.
