Antonio Cisneros

Kathryn, a struggling actress and unfulfilled housewife, becomes involved with her new gardener, Ben. As he gives her the attention and sensitivity she craves, they start to fall for each other. But Ben is not what he seems.

ミッキーマウスは地球のほぼ隅々で、喜びと純真のシンボルとして認識されている。映像と音声がシンクロした世界初の短編アニメーション「蒸気船ウィリー」に主演したミッキーは一夜にしてセンセーションを巻き起こす。そして何十年にもわたって、自分の生みの親の並外れたキャリアと、自らが代表するようになった国の劇的な社会変化の両方を反映して、バージョンを著しく異なる形に進化させてきた。

An intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. This unflinching look at Anthony Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.

A young man’s budding romance is threatened when he befriends a strange ride share driver.

Luciela is six years old and loves her Papi. Her favorite holiday is the 4th of July because every year her Papi throws a huge party. He does one of the best firework shows in Lincoln Heights —their Latinx, immigrant neighborhood in Los Angeles. But this year he can’t, because he’s been deported. So she decides to set off a few sparks of her own.

"Into a Space of Love", the first of a four-part film project in partnership with Frieze Magazine. Directed by Wu Tsang, the realist documentary explores the legacies of house music rooted in New York underground culture.

At a time when Anatomy was frowned upon and feared, a well-respected anatomist must go to extreme lengths to find knowledge to save his dying wife.

At a time when Anatomy was frowned upon and feared, a well-respected anatomist must go to extreme lengths to find knowledge to save his dying wife.

We hold where study takes a choreographic approach to image-making and mourning. The film enacts a series of duets, both within and between images, featuring choreography by boychild with Josh Johnson and by Ligia Lewis with Jonathan Gonzalez, both to original music by Bendik Giske. The work is rooted in Tsang’s ongoing dialogue with collaborators Fred Moten and Stefano Harney, authors of The Undercommons, and in particular on their recent essay Leave Our Mics Alone, which posits an (im)possible set of images of resistance, through poetic notions of blackness (and/or transness and/or queerness) as an improvisational mode of being, in common with others, working through and of the environment.

In a post apocalyptic world, a man trying to survive comes across the last bottle of whiskey on earth.

In a post apocalyptic world, a man trying to survive comes across the last bottle of whiskey on earth.