Antonio Cisneros

Kathryn, a struggling actress and unfulfilled housewife, becomes involved with her new gardener, Ben. As he gives her the attention and sensitivity she craves, they start to fall for each other. But Ben is not what he seems.

미키 마우스는 실질적으로 지구촌 곳곳에서 기쁨과 순수의 상징으로 인식된다. 미키는 최초의 유성 단편 애니메이션인 '증기선 윌리'에 등장해 순식간에 돌풍을 몰고 왔다. 이 캐릭터는 수십 년에 걸쳐 현저히 다른 버전으로 진화했는데, 창작자의 커리어는 물론이고 캐릭터가 대변했던 국가의 드라마틱한 사회 변화를 반영한다.

An intimate, behind-the-scenes look at how an anonymous chef became a world-renowned cultural icon. This unflinching look at Anthony Bourdain reverberates with his presence, in his own voice and in the way he indelibly impacted the world around him.

오랜 연인과 엉망진창인 이별을 겪은 앤디 에스코베도는 새롭게 시작하기로 마음먹고 텍사스주 오스틴에서 LA로 이사한다. 앤디는 낯선 도시에서 새로운 인맥을 얻으려고 다소 특이한 구석이 있는 승차 공유 기사 로저와 친구가 된다. 하지만 앤디가 새로 만난 여자 친구 샘과의 연애에 푹 빠져 로저와 거리를 두기 시작하자 로저는 갑자기 이상한 행동을 보이며 앤디의 목을 죄어 오는데...

Luciela is six years old and loves her Papi. Her favorite holiday is the 4th of July because every year her Papi throws a huge party. He does one of the best firework shows in Lincoln Heights —their Latinx, immigrant neighborhood in Los Angeles. But this year he can’t, because he’s been deported. So she decides to set off a few sparks of her own.

"Into a Space of Love", the first of a four-part film project in partnership with Frieze Magazine. Directed by Wu Tsang, the realist documentary explores the legacies of house music rooted in New York underground culture.

At a time when Anatomy was frowned upon and feared, a well-respected anatomist must go to extreme lengths to find knowledge to save his dying wife.

At a time when Anatomy was frowned upon and feared, a well-respected anatomist must go to extreme lengths to find knowledge to save his dying wife.

We hold where study takes a choreographic approach to image-making and mourning. The film enacts a series of duets, both within and between images, featuring choreography by boychild with Josh Johnson and by Ligia Lewis with Jonathan Gonzalez, both to original music by Bendik Giske. The work is rooted in Tsang’s ongoing dialogue with collaborators Fred Moten and Stefano Harney, authors of The Undercommons, and in particular on their recent essay Leave Our Mics Alone, which posits an (im)possible set of images of resistance, through poetic notions of blackness (and/or transness and/or queerness) as an improvisational mode of being, in common with others, working through and of the environment.

In a post apocalyptic world, a man trying to survive comes across the last bottle of whiskey on earth.

In a post apocalyptic world, a man trying to survive comes across the last bottle of whiskey on earth.