Raul Domingues

参加作品

Domy + Ailucha: Ket Stuff!
Editor
In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.
Striking Land
Cinematography
In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.
Striking Land
Editor
In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.
Striking Land
Director
In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.
Dawn
Editor
Maria starts to show signs of wanting to belong somewhere else: scales appear on her skin, roots appear on her legs, and she hears the sound of water - she dreams of being a fish. One day her daughter comes across her disappearance and reconstructs, through the memory of her gestures and meetings with her mother, a possible explanation for her escape.
The Life We Know
Editor
Cláudia Ribeiro spent seven months – since the time of plantation till the crops – capturing the work in the fields of the sisters Ana e Glória, in Passinhos de Cima, between the rivers Douro and Tâmega. It is an isolated place, where the baker, the fish seller, the grocer and their sons visit once a week. This a film on a way of life, the subsistence agriculture, but also about the humour and the ironies of representation and hospitality.
Antonio One Two Three
Editor
Antonio runs away from home and tries to spend the night at his ex-girlfriend's apartment. There he finds a brazilian girl, an unexpected guest. Johnny is struggling to stage his first theater play in Lisbon. His friendship with the young light technician will make him face his real problems. Débora is passing by, finally returning home. When she goes to the theater, she falls asleep, and is awaken by the protagonist. Three dimensions of the same story.
Blur Flower
Director
“Prune me in January Tie me up in February Dig me up in March And you’ll see what I’ll do to you.”