Raul Domingues

Фильмы

Domy + Ailucha: Ket Stuff!
Editor
In 2020, unable to travel, Ico Costa left a small camera with Ailucha and Domy, two young Mozambicans from the city of Inhambane, and asked them to film their daily lives. The result: working, playing, walking, hanging around, smoking, listening to music, singing, dancing, feeling desire – being teenagers.
Striking Land
Cinematography
In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.
Striking Land
Editor
In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.
Striking Land
Director
In this film people appear, but only as one factor amongst others. Callused hands sow, weed, build and rake; stooped backs bring in the harvest.
Dawn
Editor
Maria starts to show signs of wanting to belong somewhere else: scales appear on her skin, roots appear on her legs, and she hears the sound of water - she dreams of being a fish. One day her daughter comes across her disappearance and reconstructs, through the memory of her gestures and meetings with her mother, a possible explanation for her escape.
The Life We Know
Editor
Cláudia Ribeiro spent seven months – since the time of plantation till the crops – capturing the work in the fields of the sisters Ana e Glória, in Passinhos de Cima, between the rivers Douro and Tâmega. It is an isolated place, where the baker, the fish seller, the grocer and their sons visit once a week. This a film on a way of life, the subsistence agriculture, but also about the humour and the ironies of representation and hospitality.
Антонио Раз Два Три
Editor
Антонио сбегает из дома, чтобы переночевать у своей бывшей девушки. Однако у той появилась новая соседка-бразильянка. Джонни пытается поставить на сцене в Лиссабоне свою первую пьесу, но его дружба с молодым электриком доставляет ему много проблем. Дебора останавливается в городе на день, чтобы с утра улететь домой. Вечером она идет в театр, где засыпает. Одна и та же история раскрывается в трех измерениях.
Blur Flower
Director
“Prune me in January Tie me up in February Dig me up in March And you’ll see what I’ll do to you.”