Masayuki Yui

北海道・旭川を舞台に、孤独を抱えた男の模索を描いた戸次重幸（TEAM NACS）初主演作。松野が高校卒業以来の帰郷で旭川に戻ってきた。久しぶりに再会した同窓生たちに「東京でアーティストとして活躍してきた」と自称する松野は、市が募集する木工モニュメント製作のチラシを目にし、「これこそ自分のための企画だ」と豪語する。しかし、まったく進展を見せないモニュメント製作に、同窓生たちからは「松野は本当にアーティストなのか？」という疑問が飛び出す。時間だけが過ぎ、追いつめられていく松野は、自分を取り戻すために改めてモニュメント製作と向かい合う。監督は医療機器会社のサラリーマンとという異色の経歴も持つ、「ある夜のできごと」の鈴木聖史。

Cicada is the story of Jumpei-- a man who loses sight of his progeny when he finds out he is infertile, but then is given the gift of clairvoyance and begins to see glimpses of the future. These glimpses lead him to a series of cicada shells, which become symbolic of his desire to shed his old self. Though his lineage ends with himself, Jumpei starts anew as a father-figure to his sister's young son.

新潟県長岡市に暮らす昔の恋人だった教師の片山から、生徒が創作した「まだ戦争には間に合う」という名の舞台と花火を見てほしいと手紙で伝えられた地方紙記者の玲子。その機会を生かし、彼女は東日本大震災の被災者を迅速に受け入れた同地の様子も見て回ることに。市内を旅する中で不思議な出来事と人々に次から次へと遭遇する玲子は、それらすべてが空襲や地震から立ち直ってきた長岡の歴史と密接にかかわってくることに気付く。やがて彼女の旅は、過去、現在、未来といった時間を超越したものへと変わっていく。

Tamotsu is expecting a persimmon to dry and yet he cannot accept that it is time for a man on his deathbed to die. As the persimmon mysteriously, or supernaturally, holds out from drying, so Tamotsu tries his hardest to keep the man alive. Only when Tamotsu has let go can the persimmon take its natural course.

江戸時代、海坂藩の近習頭取・兼見三左ェ門は、藩主・右京太夫の失政の元凶である愛妾・連子を3年前に城中で刺し殺すものの寛大な処分によって再び藩主に仕えることに。亡妻・睦江のめいであり、身の周りの世話をしてくれる里尾との日々の中で生きる力を取り戻す。

A co-worker confronts Mamoru on his apparent apathy toward life, and this results in Mamoru leaving his job out of humiliation. Now alone and without work, just as it seems that things could not possibly get worse, parts of Mamoru's bicycle begin to disappear, one by one. In frustration, Mamoru leaves a note for the thief, begging him to just take the whole thing. The note left in response is signed God, leaving Mamoru only more confused. At last, when the only remaining piece of the bicycle is a lonely bell, Mamoru receives an envelope, containing addresses at which each piece of the bicycle might be retrieved.

When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new.

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on “Ran” (1985).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on “Ran” (1985).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Drunken Angel" (1948).

Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).

Based on a real-life story, this drama focuses on a small group of Allied soldiers in Burma who are held captive by the Japanese. Capt. Ernest Gordon (Ciaran McMenamin), Lt. Jim Reardon (Kiefer Sutherland) and Maj. Ian Campbell (Robert Carlyle) are among the military officers kept imprisoned and routinely beaten and deprived of food. While Campbell wants to rebel and attempt an escape, Gordon tries to take a more stoic approach, an attitude that proves to be surprisingly resonant.

第二次世界大戦直前、戦雲うずまく亜細亜の魔都・マンチューリ。ヨーロッパ情勢を視察した山下奉文陸軍大将は、モスクワから帰国すべくシベリア鉄道に乗車していたが、謎の鉄道爆破で、急遽“満州菊富士ホテル”に宿泊を余儀なくされる。そこに同宿することになったシベリア超特急の一等乗客たち。やがて、密室で乗客のひとりが殺される事件が起きる。

The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.

青山竜平が教師として働く竜別高等養護学校では卒業を間近に控え、生徒の高志と佑矢が買い物に出ると言ったきり寮に戻ってこない。どうやらふたりは旭川へコンサートを聴きに行ったらしい。若い小林先生と一緒に、車で旭川へ向かう車中、竜平は高志たちと過ごした3年間を思い返した。

個性派作家・内田百閒の随筆を原案に、百閒の日常と彼の教師時代の教え子との交流を描く。 昭和18年の春。先生は生徒たちに、作家活動に専念するために学校を去ることを告げるが、退職後引っ越した家にも門下生たちは遊びにやってくる。

黒澤明監督自身が見た夢をベースに、時に美しく、時に残酷な8つの物語がオムニバス形式でつづられ、豊潤なイメージ世界が描かれる作品。きつねの嫁入りを見た少年の話「日照り雨」。花吹雪の中、人形たちが舞い踊る「桃畑」。戦争で生き残った男が体験する不可思議な物語「トンネル」。ゴッホが絵画の世界に入り込んだ「鴉(からす)」。原発の恐怖を描いた「赤富士」など、8つの物語が、時に美しく、時に残酷にオムニバス形式でつづられていく。黒澤監督の豊潤なイメージ世界を堪能できる作品。

「男はつらいよ」シリーズ第38作。寅さんは北海道知床で、無骨だが誠実な老獣医・上野順吉（三船敏郎）と出会い、意気投合して居候することになる。やもめ暮らしの順吉の面倒を見ているのが、スナックママ・悦子（淡路恵子）。ある日、順吉のひとり娘、りん子（竹下景子）が、結婚に失敗して東京から帰ってくる。近所の人々との楽しい日々が続くが、不器用な順吉とりん子は、寅さんがいないと上手くコミュニケ−ションがとれない…

戦乱の世を生き抜いた武将・一文字秀虎も70歳を迎え、家督を息子3人に譲ることを決意。長男の太郎には一の城、次男の次郎には二の城、三男・三郎には三の城をそれぞれ与えた上、3人兄弟、仲良く相和して暮らすように説く。だが、三郎は、父の今後の身を案じたのがかえって秀虎の不興を買い、地方へ追放されてしまう。さらに3人兄弟の城を泊まり歩いて余生を暮らすつもりだった秀虎だが、太郎、次郎にそれぞれ疎んじられる。

巨匠・黒澤明監督が手がけた戦国スペクタクル巨編。武田信玄の影武者として生きた男の悲喜劇を荘厳にして絢爛な映像で描く。戦国時代。家康の野田城攻めの折り、鉄砲で撃たれこの世を去った武田信玄。弟信廉は信玄死すの報を打ち消すため信玄の影武者を立てる。男は盗みの罪から処刑されるところを信玄と瓜二つだったことから助けられたのだった。だが男にとって戦国の雄・信玄として生きることはあまりにも過酷だった……。カンヌ国際映画祭グランプリ受賞。