Masayuki Yui
출생 : 1947-09-21, Kanagawa Prefecture, Japan
약력
Masayuki Yui was born in 1947 in Kamakura, Kanagawa, Japan. He is an actor and writer, known for Ran (1985), Kagemusha (1980) and Dreams (1990).
Gankane-san
Cicada is the story of Jumpei-- a man who loses sight of his progeny when he finds out he is infertile, but then is given the gift of clairvoyance and begins to see glimpses of the future. These glimpses lead him to a series of cicada shells, which become symbolic of his desire to shed his old self. Though his lineage ends with himself, Jumpei starts anew as a father-figure to his sister's young son.
2011년 3월 11일, 동일본 대지진을 겪은 감독은 메이지유신과 2차 대전을 포함해 역사 속 큰 사건들의 비극적 순간을 그리기로 한다. 감독은 나가오카를 찾은 기자 레이코를 중심으로 시공간을 자유롭게 넘나들며 극영화, 다큐멘터리, 연극, 애니메이션 등 다양한 화법을 이용해 나가오카에 살았던 평범한 사람들의 기억을 재현한다. 과감한 실험적 형식이 돋보이는 작품.
Hasegawa
Tamotsu is expecting a persimmon to dry and yet he cannot accept that it is time for a man on his deathbed to die. As the persimmon mysteriously, or supernaturally, holds out from drying, so Tamotsu tries his hardest to keep the man alive. Only when Tamotsu has let go can the persimmon take its natural course.
Ohba
에도시대. 우나사카 번, 소대장을 맡고 있던 카네미 산자에몬은 영주의 첩 렌코를 죽인다. 하지만 내려진 명령은 의외로 가벼운 처벌이었다. 번주의 이복 동생은 직심류 검술의 명인으로 그가 번주를 공격할 경우 대등한 검술의 달인은 필살기 ‘토리사시’를 몸에 익힌 산자에몬이기 때문이다. 그의 운명은 필사 검법 토리사시에 달려 있는데..
Old Man
A co-worker confronts Mamoru on his apparent apathy toward life, and this results in Mamoru leaving his job out of humiliation. Now alone and without work, just as it seems that things could not possibly get worse, parts of Mamoru's bicycle begin to disappear, one by one. In frustration, Mamoru leaves a note for the thief, begging him to just take the whole thing. The note left in response is signed God, leaving Mamoru only more confused. At last, when the only remaining piece of the bicycle is a lonely bell, Mamoru receives an envelope, containing addresses at which each piece of the bicycle might be retrieved.
1958년 일본 전후 오사카 병기 공장지대를 배경으로 재일 한국인들의 고난에 찬 삶을 그린 재일 작가 양석일의 원작 소설을 영화화한 작품이다.
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on “Ran” (1985).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on “Ran” (1985).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).
Producer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).
Writer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Seven Samurai" (1954).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Yojimbo" (1961).
Narrator/Interviewer
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Ikiru" (1952).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Hidden Fortress" (1958).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "High and Low" (1963).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Dodes'ka-den" (1970).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Sanjuro" (1962).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Bad Sleep Well" (1960).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "The Lower Depths" (1957).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Stray Dog" (1949).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Drunken Angel" (1948).
Narrator
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Throne of Blood" (1957).
Captain Noguchi
어네스트 고든의 자전적인 이야기를 담은 동명의 책을 영화화한 작품으로 세계2차대전 당시 일본군에게 잡혀 포로수용소에 갇혔지만, 희망을 버리지 않은 이들의 이야기를 그린 영화.
Manager of beauty parlor
The police are tracking a man who shoots at people. But the young sister of a detective finds that he's not the mad vigilante portrayed in newspapers.
류베쓰 장애인 고등학교의 선생님과 학생들을 따라 전개되는 이야기이다.
Kiriyama
구로사와 아키라 감독의 유작. 일본 작가 우치다 햣켄(1889-1971)의 삶을 바탕으로 만들어진 영화로, 아무것도 남지 않는 시대를 견디는 낙천성에 대해 이야기한다. 가가와 교코의 리액션 연기가 가장 정점을 이루는 영화로, 구로사와 아키라 감독은 미야자키 하야오와의 대담에서 에서의 가가와 교코의 연기는 완벽해서 전혀 지시할 것이 없었다”라고 말했다.
(2014년 제16회 서울국제여성영화제)
Member of climbing team
여우비가 내리던 날, 어린 구로사와는 어머니의 충고를 잊은 채 숲에 들어갔다가 여우가 시집가는 장면을 목격하게 된다. 이 사실을 전해들은 어머니는 여우를 찾아가 용서를 빌라고 하지만, 숲으로 다시 들어간 소년의 눈 앞에는 비온 후 무지개가 걸린 아름다운 산이 보일 뿐이다. 또한 그는 누나들과 함께 복숭아를 따러 갔다가 어느 소녀를 만나게 되고, 소녀의 뒤를 쫓아 간 곳에서 복숭아 나무의 정령들을 만나는데...
When his travels take him to rural Hokkaido, Tora-san helps a cantankerous old veterinarian (Mifune) in his relationships with his estranged daughter, and a woman in whom he is secretly interested.
Tango Hirayama
16세기 일본 전국시대, 손님들과 함께 멧돼지 사냥을 끝낸 성주 이치몬지 히데토라는 일흔의 나이로 자신의 권력을 아들들에게 넘겨주겠다는 결심을 굳힌다. 그리고 사냥을 함께 한 다른 영주는 자신의 딸을 그의 아들과 혼인시키려 한다. 아들들을 따로 불러 모은 그는 오랫동안 곰곰이 생각해서 내린 결정이라며 장남인 타로가 자신의 뒤를 이어 가문을 이끌 것이라 선언한다. 그리고 둘째, 셋째 아들인 지로와 사부로에게는 두 번째와 세 번째 성과 그에 딸린 영토를 주겠다고 한다. 그는 난세에 외곽에서 호위대를 거느리고 자식들에게 기대어 안락하게 여생을 보낼 생각이였다. 하지만 막내인 사부로는 그 자리에서 아버지가 망령이 들었다고 비난하게 되고 이에 분개한 히데토라는 사부로와 절연한다. 충직한 탄고가 사부로를 감싸지만 그는 들은 체 만 체다. 그 과정을 지켜본 후지마키는 사부로를 자신의 영지로 받아들인다. 한편 처음에는 권력에 별로 욕심이 없었던 장남 타로는 ‘모든 권력과 호칭을 넘겨받지 못하면 그림자에 불과하다’는 아내 카에데의 부추김에 차츰 히데토라의 권력을 완전히 차지하려고 한다. 그리고 그 사이 히데토라가 타로의 부하를 화살로 쏴 죽이는 일까지 발생하면서 갈등이 점점 고조되는데...
Ieyasu Tokugawa
도쿠가와 이에야스의 성을 포위하고 있던 다케다 신겐은 저격수에 의해 중상을 입는다. 신겐은 자신의 죽음을 3년 동안 비밀로 하라는 유언을 남긴채 숨을 거두고, 그의 동생인 노부카도는 신겐이 살아있는 것처럼 보이기 위해 신겐과 비슷한 외모의 카게무샤를 내세운다. 무식한 좀도둑이었던 카게무샤는 신겐처럼 행동하며 신겐의 소실들과 손자까지 속여넘긴다. 인자한 영주로 변한 그가 백성들의 존경을 받기에 이르자 신겐의 아들인 카츠요리는 초조해하는데...