Simon Plouffe
略歴
Hailing from Rouyn-Noranda, Simon Plouffe lives and works in Montreal, Quebec. His experience as a sound mixer leads him to explore sonic universes both within experimentation and design. His first documentary Others’ Gold (2011), has been shown in fifteen international festivals (RIDM, Dok.Fest, Guadalajara, Big Sky) and has received a Merit Award for Advocacy at Montana CINE Int. Film Fest, an honorable mention for Excellent Storytelling at the WIFF, and the Silver Lei Award at the Honolulu Film Awards. His second feature-length documentary Those Who Come, Will Hear (2018), has won the Iris for Best Documentary Sound in 2019, the Jury Award at the 56th edition of Ann Arbor Film Festival , Best Feature Documentary at the chilean festival Ficwallmapu in 2018. He is currently developing a documentary on blindness caused by armed conflicts as well as a short exploratory documentary on an underwater forest.
Sound
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Editor
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Producer
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Director
In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.
Sound
Accompanied by her lover, Sophie travels to the Côte-Nord to honour her late father’s last wishes: namely, to have his ashes scattered in Schefferville, the place where he’d spent much of his life before the mine closed. When tragedy strikes, the couple find themselves trapped in a near-ghost town whose past secrets begin to bubble back up to the surface. A spine-tingling thriller set way, way out of the city, Fortin’s splendidly crafted first feature, anchored in the Innu community of Matimekush, ventures into an isolated region to set the stage for an authentic encounter between the quintessential city slicker and nature.
Sound Recordist
Damien, a 16-year old swimmer, clashes with his Coach at practice. In parallel, Damien plays with his younger brother at a hotel waterslide, but his erratic behaviour shows something hidden beneath the surface. Bleach explores the confusing moments following trauma and abuse, and how big each small step can be.
Sound Mixer
For more than a century, Azerbaijan and Armenia have been fighting over Nagorno-Karabakh, an autonomous region in Azerbaijan with an ethnic Armenian majority. With an empathetic ear to both sides, this film delicately unpacks the sensitive subject of ethnic nationalism in the South Caucasus. Using poetic visuals and a mesmerizing, immersive soundscape, Under the Same Sun introduces us to the viewpoints of writers, activists and everyday citizens. Through these interviews, the film raises an urgent and timely question: How does one retain a belief in universal human rights in the face of aggressive propaganda and increasing ethnic nationalism?
Sound
Sound Mixer
Kenbe La: Until We Win chronicles the inspiring journey of Alain Philoctète, an artist and activist who dreams of developing a permaculture project in his native country even as he fights an ongoing battle with cancer.
Sound Recordist
A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.
Sound Mixer
A reflection on the fate of humanity in the Anthropocene epoch, White Noise is a roller-coaster of a film, a whirlwind of sounds and images. The fourth feature-length work by Simon Beaulieu, this film essay plunges viewers into a subjective sensory adventure—a direct physical encounter with the information overload of daily life. White Noise transforms the imminent collapse of our civilization into a visceral aesthetic experience.
Sound
In a Guadeloupean village, a young boy adopts a stray dog. Devastated by his new companion’s sudden disappearance, he sets out on a quest through this unknown island.
Sound Mixer
Sound Designer
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Producer
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Director
“Those Who Come, Will Hear” proposes a unique meeting with the speakers of several indigenous and inuit languages of Quebec – all threatened with extinction. The film starts with the discovery of these unsung tongues through listening to the daily life of those who still speak them today. Buttressed by an exploration and creation of archives, the film allows us to better understand the musicality of these languages and reveals the cultural and human importance of these venerable oral traditions by nourishing a collective reflection on the consequences of their disappearance.
Sound Mixer
The origins and evolution of the Innu Nikamu Music and Aboriginal Arts Festival are intimately linked to the territorial roots of the Innu people and to the life of the Maliotenam Reserve community. For centuries past the Innu had followed a seasonal migration cycle, wintering in the northern territories for the caribou hunt and returning every summer to the north shore of the St-Lawrence. Festivities, meetings, traditional games and weddings marked the latter period, and the Festival has become the modern day reincarnation of the ancient summer celebration.
Sound Mixer
Coming from the countryside to visit a friend, Solange 75, rediscovers Montreal. She talks to everyone with confidence and does some portraits of the people she meets. She meets Tom, a younger, moody and disillusioned man. Fictional scenes are interwoven with documentary scenes: portraits of Montrealers and snatches of conversations taken from life.
Sound Recordist
Sound Mixer
Two cousins come of age together, overcoming the heinous acts which interrupted their childhoods.
Sound Mixer
Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.
Sound Mixer
A submarine crew, a feared pack of forest bandits, a famous surgeon, and a battalion of child soldiers all get more than they bargained for as they wend their way toward progressive ideas on life and love.
Sound Mixer
An astronaut sends her young son a video message from outer space. In Mexico, a stripper dances night after night to keep a roof over her child’s head. In Canada, a woman becomes a mother for the first time after enduring seven miscarriages. Finnish filmmaker Joonas Berghäll has travelled to South African settlements, Nepalese terraced fields and Russia’s metropolis Moscow to investigate an unshakable and almost magical connection: the bond between mother and child. MOTHER‘S WISH portrays 10 women from the most varied of cultural and social backgrounds who all tell of the beauty and difficulty of being a mother. These are not only stories of love and pride – but also of disappointed hopes and the most precarious of life circumstances. Above all else, however, the protagonists tell of their determination – regardless of their current living conditions – to fight for a better future.
Director of Photography
The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.
Producer
The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.
Director
The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.
Sound Mixer
Felix and Malou are two neighbors in a small village with large fields. Each family, each with its problems of adolescents of thirteen. But between the two houses, through their differences, Felix and Malou are found ... and survive.
